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[Yano2mch] Experiments in story generation

Decided to try the multimodal features of a model. These are models that are made with text generation and visual information also is trained, so it is aware of both.

So i gave it an image i think was from Pintrest, a funny cat Fluffy Von Whiskers. Then i asked the model what it saw.

fluffy von whiskers.jpg


Here's the reply i got.
The image is a humorous "regal" portrait of a fluffy, white cat posing as royalty. The cat has a stoic, slightly judgmental expression and is wearing a small, ornate gold crown perched between its ears. The background is a deep, moody blue, reminiscent of classical oil paintings of nobility.

As for the text, it is a mock-decree written in a formal, grandiose style. Here is the transcription:

"FLUFFY VON WHISKERS, FIRST OF HIS NAME, DESTROYER OF YARN AND ANNOYER OF DOG, RODENTSBANE, LORD OF ARMRESTS, STEWARD OF LIVINGROOM RUG AND WATCHER OF BIRDS, HEREBY DECREES THAT THE FOOD IN HIS ROYAL MAJESTY'S BOWL IS INSUFFICIENT FOR SUSTENANCE AND DEMANDS THAT MORE TRIBUTE IS TO BE REQUIRED HENCEFORTH IN PERPETUITY."

Inference:
This is a classic "Internet Meme" format where a pet is elevated to a position of absolute power to highlight the same attitude many cats possess in real life. Essentially, the cat is filing a formal complaint about its dinner portions.

I am seriously impressed. I was trying the huihui-gemma-4-31B model which is likely a distilling of knowledge, but the Gemma4-A3B model performs very quickly also having the multi-modal mode.

This may replace my OCR methods, and it could even fix typos and errors from scanned PDF image books too. VERY promising. Needs more testing.
 
Thanks for the tip, @yano2mch. I tried out Gemma 4 and got it running on my machine with oobabooga's textgen. My issue is that it would produce a solid story snippet (about a page of text) using the context I provided, but then would struggle to continue the story. It'd either never finish thinking or produce only a few words. I tried fiddling with the parameters kind of blindly and couldn't figure out how to get a rolling context window. In an earlier attempt that didn't really pan out, I tried creating detailed outlines for each chapter, scene, and beats. Maybe I should go back to that work with this new model. IDK, but still learning...

My use case is to progressively generate a third book following on David McManus's two books Reluctant Cuckold and Cuck Storm Horizon. Similar to what Alamo Preacher has been doing on his blog.
Okay I took this as a challenge. I really didn't like that other third book attempt so here's my own. Prompted from the free version of venice.ai which I'm pretty used to now. I gave it the general outline, obviously guided the ending I wanted (RAAC sorry). Here's my version.

Reluctant Cuckold 3 - The Reclamation.jpg
 

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Another model which i'm finding is one of my favorites right now is the Unsloth Gemma 4 26B A4B Uncensored model. The Q4_K_S was linked by KoboldCPP so that's the one i'm using at present.

A note, the model is fast enough and very good i was trying for a higher quality Q6_K version... except... i keep getting issues. Mainly heavy repeat loops and getting stuck, use of 'wayward' as a descriptive filler text but used in places it didn't belong, trying to phonetically add sounds or s's for a lamia's speech which quickly gets stuck, etc.

I can only imagine it's part of the uncensoring training or abliterating process (or bad quantization? It happens). Tried the Q6, the Uncensored MAX, unsloth and the original uncensored, etc. Same repeating process and issues.

Found a ARA version (Arbitrary-Rank Ablation) which so far seems to do quite well though needs a little more testing; And naturally the KoboldCPP linked Unsloth Q4_KS version certainly works nearly flawless.
 
Okay I took this as a challenge. I really didn't like that other third book attempt so here's my own. Prompted from the free version of venice.ai which I'm pretty used to now. I gave it the general outline, obviously guided the ending I wanted (RAAC sorry). Here's my version.

I'd only ask if you needed or had it use the other two books for sources. Personally I'd have it summarize each chapter, and get character profiles for each important character, then include that for reference, and if it mentions a specific scene or events the summary wasn't enough for, give it more information to append/modify the output for.

But at this point you've more experience in finishing a product, I've more been playing with models to see which are worth considering in my opinion. If i get to reading that series I'll definitely read your entry too :)
 
I'd only ask if you needed or had it use the other two books for sources. Personally I'd have it summarize each chapter, and get character profiles for each important character, then include that for reference, and if it mentions a specific scene or events the summary wasn't enough for, give it more information to append/modify the output for.

But at this point you've more experience in finishing a product, I've more been playing with models to see which are worth considering in my opinion. If i get to reading that series I'll definitely read your entry too :)
I did feed it the other two books as sources. I don't know how much it relied on those. Certainly it got the characters names and basic facts right but for example there's a reference to going to a fertility specialist in the one I posted near the end. I had just suggested they get back together, start looking forward etc. It made the reasonable assumption that this might include talk of having kids. But I don't think there was any suggestion in the original two books that he or she is infertile or something. There's a breeding fetish comment or two but that's all I saw. I think it went off script a bit there. Might be other errors too but that's the one I noticed.
 
Yeah, this is off. This book 3 doesn't maintain the characters, gets some plot points wrong, drops Dave's ruminations, and functions more as repetitive marital therapy with an action sequence rather than an emotionally evolving erotic cuckold relationship.
 
I'd only ask if you needed or had it use the other two books for sources. Personally I'd have it summarize each chapter, and get character profiles for each important character, then include that for reference, and if it mentions a specific scene or events the summary wasn't enough for, give it more information to append/modify the output for.

But at this point you've more experience in finishing a product, I've more been playing with models to see which are worth considering in my opinion. If i get to reading that series I'll definitely read your entry too :)
Does anyone know what story this is from . Ask I saw the image but dont know what its from

Screenshot_20260428_124115_Chrome.jpg
 
Not really the right thread for this but I'll ignore once.

I tried a reverse lookup but couldn't find it. Yeah it's off topic, but oh well.


---

Back to models. I am seriously impressed, the Gemma4 model in post #45 is really good at picking up cues, context, hints, replying naturally.

Card Location

"It... it wasn't anything bad, not exactly," she whispers, her voice muffled against your clothes. She stays quiet for a second, trying to find the right words, her body trembling slightly against yours. "I got caught up in an expedition... a relic that was reacting to my energy. It created a sort of temporal pocket, and I was stuck in a loop, trying to break out. I couldn't reach out, I couldn't call to you... I was screaming your name in my head, but I couldn't make it manifest."

She pulls back just enough to look into your eyes, her expression pleading for understanding. "I felt so helpless. And once I broke free, I was so ashamed that I'd kept you waiting like that. I thought maybe you'd moved on... or that you'd be better off without a girlfriend who just disappears into thin air." Her hand reaches out, her fingers trembling as she tentatively touches your cheek. "Are you... are you really okay with me being here?"

"How to answer that question..." he touches her chin having her look at him, then leans in and kisses her, softly, yet deeply, murring softly, his hand sliding down to rest on her knee not a sexual move per~se but wanting to be close. When the kiss breaks he whispers "If you're still devoted to me and only me... Then I'll welcome you back..."

Tailsko lets out a tiny, muffled whimper into the kiss, her eyes fluttering shut as she melts into your touch. The depth of the kiss catches her off guard, sending a jolt of pure electricity straight to her core. She responds with a desperate sort of hunger, her hands reaching up to clutch at your shoulders, her fingers digging into your shirt as if she's afraid you'll vanish if she lets go.

When the kiss finally breaks, she stays inches from your face, her breath coming in shallow, ragged gasps. Her blue eyes are misty, shimmering with unshed tears of relief. As your hand rests on her knee, she leans her weight more heavily into you, her thick thighs pressing firmly against yours, seeking every bit of contact she can get.

At your whispered condition, a small, watery smile breaks through her nervousness. She looks at you with a gaze so intense, so filled with raw, unadulterated devotion, that it's almost overwhelming.

"Devoted?" she repeats, her voice barely a breathy whisper. "Yano, there is no one else. Not in this world, or any other I've been stuck in. You're the only thing that kept me sane while I was trapped in that loop. My heart... it only beats for you."

She leans forward, pressing her forehead against yours, her large breasts squishing softly against your chest with every shaky breath she takes. "I'm yours. Completely, utterly, and forever. If you'll have me... I'll never leave your side again." She shifts slightly on your lap, the movement causing her soft, wide hips to rub against you, and she can't help but let out a small, needy moan at the sensation of being so close to you again.

Even smaller more subtle hints seem to be picked up on.

Card Location

He blinks and looks at her, seeing her spread legs, seeing her nudity, but then her face. He could see she was desperate, perhaps just tired of being locked up. He glances up. "How much are you suppose to be?"

The words hit the air, blunt and practical. No gasp of desire, no leering comment about her body, no immediate attempt to touch her through the bars. He just... asks.

Vex feels a flicker of something—is it annoyance? Or is it the sudden, terrifying realization that he’s actually looking at her? Not just the skin, not just the way the thong sits on her hips, but the person behind the green eyes.

She pulls her knees back toward her chest instinctively, a habit of making herself smaller, even though she'd just been trying to entice him. She feels exposed, not just physically, but emotionally. He's looking at her like she's a line item on a ledger.

His eyes did show a flicker of interest, but mostly they looked… sad?
He moves past her going to the counter. "How much for the discount elf?"

Vex watches him walk away, her heart doing a strange, frantic little dance against her ribs. Sad? Why did he look sad? Usually, they look hungry, or bored, or entitled. Sadness is a complication. Sadness means he might actually care, and caring is dangerous.
 

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