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[Pigking/CrazyDad] Comics

I get what you’re saying but the images are now too dark to see what’s going on.

Alright, I want to revisit the lighting/darkness issue that was inadvertedly brought up by Ghita(2025).

I know that Frank Romano/CrazyDad3D had previously mentioned that making night scenes darker catered to those who wanted more realism in the stories. Frankly, no pun intended, not being able to see what's going in for the sake of realism doesn't exactly make the stories more appealing.

Let's look at some "old" night scenes:

View attachment 1911859
View attachment 1911890
View attachment 1911891
View attachment 1911897
View attachment 1911906

For the sake of consistency, I'm initially only showing night scenes from Lost Family. These are in chronological order and we can all see every detail without any problems. It wasn't until Chapter 43, shown below, that things began to go downhill. Look at this image, can you even tell what's going?!

View attachment 1911907


The only current title that shows night scenes with some level of visibility is Amanda. The latest chapter takes place at night and thought it's darker than the initial images presented, we can still see more detail than the darker images in Lost Family.

View attachment 1911908

I know someone will point out that there are a few light posts on the side that could be the ones casting light on Amanda, but even still, you can't argue that it deviates from your enjoyment of the story.
Regarding the lighting in the latest editions, it really is something to think about. I tried to make it a little darker, but it ended up spoiling the experience for some people. In some scenes, I have avoided using direct lighting, because it causes small flare-ups and makes the scene look a little artificial. The lighting in the scene makes a big difference. I'll try to improve this in future editions. I know that for many people it doesn't make much difference, but I believe that everything can be improved, even if only a little. Thanks, guys!
 
Alright, I want to revisit the lighting/darkness issue that was inadvertedly brought up by Ghita(2025).

I know that Frank Romano/CrazyDad3D had previously mentioned that making night scenes darker catered to those who wanted more realism in the stories. Frankly, no pun intended, not being able to see what's going in for the sake of realism doesn't exactly make the stories more appealing.

Let's look at some "old" night scenes:

View attachment 1911859
View attachment 1911890
View attachment 1911891
View attachment 1911897
View attachment 1911906

For the sake of consistency, I'm initially only showing night scenes from Lost Family. These are in chronological order and we can all see every detail without any problems. It wasn't until Chapter 43, shown below, that things began to go downhill. Look at this image, can you even tell what's going?!

View attachment 1911907


The only current title that shows night scenes with some level of visibility is Amanda. The latest chapter takes place at night and thought it's darker than the initial images presented, we can still see more detail than the darker images in Lost Family.

View attachment 1911908

I know someone will point out that there are a few light posts on the side that could be the ones casting light on Amanda, but even still, you can't argue that it deviates from your enjoyment of the story.
It doesn't seem too bad to me. I guess it's just a matter of taste.
 
Regarding the lighting in the latest editions, it really is something to think about. I tried to make it a little darker, but it ended up spoiling the experience for some people. In some scenes, I have avoided using direct lighting, because it causes small flare-ups and makes the scene look a little artificial. The lighting in the scene makes a big difference. I'll try to improve this in future editions. I know that for many people it doesn't make much difference, but I believe that everything can be improved, even if only a little. Thanks, guys!
Thanks for your response, Teddy!

Like I had mentioned, the lighting in Amanda 51 strikes a proper balance, IMO. You can still see that it's night time but very few details are lost in the shadows. There are a couple angles that are still a bit dark (see image below), but at the same time, we can still see some detail so it doesn't spoil it too much. I think if you can continue this level of balance, it shouldn't be too much of an issue.

AM51 (47).jpg
 
Thanks for your response, Teddy!

Like I had mentioned, the lighting in Amanda 51 strikes a proper balance, IMO. You can still see that it's night time but very few details are lost in the shadows. There are a couple angles that are still a bit dark (see image below), but at the same time, we can still see some detail so it doesn't spoil it too much. I think if you can continue this level of balance, it shouldn't be too much of an issue.

View attachment 1911920
In Amanda's scene (Nun's House), there are a few differences. The main one is the lamppost, which already provides ambient lighting, so I don't need to use such intense direct lighting, which helps a lot in the scene. In LF's scene, I hadn't prepared these lampposts since the scene already has some lights (my mistake for relying on them, hahahaha). But basically speaking, that's it, but it won't take me long to add a light that looks great.
 
Alright, I want to revisit the lighting/darkness issue that was inadvertedly brought up by Ghita(2025).

I know that Frank Romano/CrazyDad3D had previously mentioned that making night scenes darker catered to those who wanted more realism in the stories. Frankly, no pun intended, not being able to see what's going in for the sake of realism doesn't exactly make the stories more appealing.

Let's look at some "old" night scenes:

View attachment 1911859
View attachment 1911890
View attachment 1911891
View attachment 1911897
View attachment 1911906

For the sake of consistency, I'm initially only showing night scenes from Lost Family. These are in chronological order and we can all see every detail without any problems. It wasn't until Chapter 43, shown below, that things began to go downhill. Look at this image, can you even tell what's going?!

View attachment 1911907


The only current title that shows night scenes with some level of visibility is Amanda. The latest chapter takes place at night and thought it's darker than the initial images presented, we can still see more detail than the darker images in Lost Family.

View attachment 1911908

I know someone will point out that there are a few light posts on the side that could be the ones casting light on Amanda, but even still, you can't argue that it deviates from your enjoyment of the story.


I agree with you, I was just allowing myself a little word of humor. But even if I agree with you, at this stage I find it secondary and prefer to highlight the improvement of the drawings (more in line with the old ones precisely) and the enrichment of the scenario and especially the dialogues.

The old ones were disconnected from the scenes and repetitive to the point of becoming tiresome. I find that Teddy succeeds in putting strength into it, an extreme intensity and above all more in line with what Cynthia is looking for in her relationships.

Declarations of love linked to temporary and purely sexual relationships have always seemed grotesque to me.
 
In Amanda's scene (Nun's House), there are a few differences. The main one is the lamppost, which already provides ambient lighting, so I don't need to use such intense direct lighting, which helps a lot in the scene. In LF's scene, I hadn't prepared these lampposts since the scene already has some lights (my mistake for relying on them, hahahaha). But basically speaking, that's it, but it won't take me long to add a light that looks great.
Bro, when will you guys restart releasing the regular stories like Family Sins, Forbidden Desire, Miranda, Caroline, BBC, Father In Law etc?

No criticim. Just curious.
 
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Alright, I want to revisit the lighting/darkness issue that was inadvertedly brought up by Ghita(2025).

I know that Frank Romano/CrazyDad3D had previously mentioned that making night scenes darker catered to those who wanted more realism in the stories. Frankly, no pun intended, not being able to see what's going in for the sake of realism doesn't exactly make the stories more appealing.

Let's look at some "old" night scenes:

View attachment 1911859
View attachment 1911890
View attachment 1911891
View attachment 1911897
View attachment 1911906

For the sake of consistency, I'm initially only showing night scenes from Lost Family. These are in chronological order and we can all see every detail without any problems. It wasn't until Chapter 43, shown below, that things began to go downhill. Look at this image, can you even tell what's going?!

View attachment 1911907


The only current title that shows night scenes with some level of visibility is Amanda. The latest chapter takes place at night and thought it's darker than the initial images presented, we can still see more detail than the darker images in Lost Family.

View attachment 1911908

I know someone will point out that there are a few light posts on the side that could be the ones casting light on Amanda, but even still, you can't argue that it deviates from your enjoyment of the story.
Lost Family was a very well-crafted work a masterpiece, despite some flaws in the penetration scenes. I’ve always found Teddy’s work amazing.
 
Nicoly could have slightly larger breasts, something more in the Pigking style. The letters used to represent sounds are excessively large and overdone; the scene itself already conveys the sexual act, so the excess becomes visual noise and hurts the work. When the drawing is well executed, just a few smaller onomatopoeic letters are enough to complement the narrative and suggest movement. The rendering is excellent, and the character is beautiful, she definitely sells in terms of visual appeal. However, so far, she only has sex with the two Black characters and never leaves the studio. What’s the dynamic of the story? It would be more interesting to see her in different settings. Nicoly is attractive, but she doesn’t yet project that “wild beauty” vibe, she could be more exuberant. Also, the story needs to expand beyond the painting studio, since for now everything happens only there. What is the story behind Nicoly? What does she actually do? Could she be the wife of a painter who enjoys watching her with other men, or will the plot expand into more unusual experiences? Nicoly does not have children so far, so maybe adopting a dog, perhaps a German shepherd, could add a more human and emotional side to her character, showing a touch of loneliness and affection. Another interesting idea would be for her to visit the Lost Family Island, which would create a more consistent and engaging continuation, expanding the story’s universe and giving new directions to her character.
3.jpeg
 
Big Black Cocks Chapter 6 textless
I can't find a high-definition version of Chapter 6, so I deleted the French text. Can someone fill it in with the English text? I don't have the tools for this.
 

Attachments

  • Big Black Cocks Chapter 6 textless.zip
    Big Black Cocks Chapter 6 textless.zip
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It’s complicated, mainly because Frank Romano doesn’t seem to understand what makes a good pornographic story. What he does is basically just overlapping images, trying to shove in a narrative that makes no sense at all. The characters have sex without any apparent reason, nothing that justifies the scene. Even Teddy’s dog is more civilized than Frank Romano’s characters.
To make it worse, he fills the drawings with huge block letters, polluting the entire page. His work is nothing more than image overlapping and shouldn’t even be considered pornography or anything of the sort. Romano seems to believe that throwing in a nonsensical storyline, putting two characters together, and having them suddenly have sex is enough. But that’s not how it works.
There’s no story, no plot, no justification for a character’s presence other than just “having sex.” And if it’s supposed to be called an erotic comic, it should at least show something explicit. But no — there’s no penetration, no intensity — it’s just a scam.
I actually wanted to praise Frank Romano, but honestly… he makes it impossible.
And That is part of my gripe with the older stories Foster Mother, Family Sins, Mom's Help and Queen Azalea. Posing the animals over the models in supposed sex acts. It Looks like nonchalant work. Meaning just putting scenes together without consideration to the story or the fans, simply to push out more content for More money. It's part of why I was hesitant to subscribe in the beginning and I won't rehash the other reasons. Now I'm reading that other content, which I'm not a fan of, is being pushed out more while the older stories are languishing. They caught my eye with Grandma but the scenes began following the pattern of the other stories and now It is in limbo too. In the meantime, at least eight new titles have been released since Grandma. That's ridiculous.
Speaking of older titles, what about White Nun, Evil Nun, Sister Grace, Naughty Kamilla and No Way Out? All of the last chapters end with "To Be Continued" but there Hasn't been any continuation for Any of those stories. It reminds me of a newspiece that I watched a couple of decades ago where, here in America, there was a large portion of a highway built but was not finished and ended in the desert. The piece was called "The Highway To Nowhere." There was a lot of talk in the PigKing camp about Respect but it seems No One had respect for the consumers whom they hooked with those stories then Abandoned them. The respect factor works Both ways and I'm still willing to subscribe to the site but a Lot of things have to change and I Don't mean the artwork, which could have been left alone, Imo.
I have a novel idea. Why not Rotate the stories and content? Every 2 months, work on and update the incest/cheating titles, then the beastiality stories, then the futanari stories. THAT way, you could keep the fans well engaged without waiting 6 months or more for updates. The added benefits for the artists is that, by working on various titles a bit more frequently, it reduces the chance for story burnout while also providing a chance to come up with new ideas for all of the stories that's been pushed out when they get to them on the next cycle of content. Seems simple & reasonable enough to me. Idk why no one Else has thought of it. And if there's No Intention of re-addressing the oldest titles any further, just do an ending chapter and an epilogue chapter to close those out so that anyone New happens to comes across them will at least get a chance for closure to the stories, just like the older followers. It Can't be that difficult.
 
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Nicoly could have slightly larger breasts, something more in the Pigking style. The letters used to represent sounds are excessively large and overdone; the scene itself already conveys the sexual act, so the excess becomes visual noise and hurts the work. When the drawing is well executed, just a few smaller onomatopoeic letters are enough to complement the narrative and suggest movement. The rendering is excellent, and the character is beautiful, she definitely sells in terms of visual appeal. However, so far, she only has sex with the two Black characters and never leaves the studio. What’s the dynamic of the story? It would be more interesting to see her in different settings. Nicoly is attractive, but she doesn’t yet project that “wild beauty” vibe, she could be more exuberant. Also, the story needs to expand beyond the painting studio, since for now everything happens only there. What is the story behind Nicoly? What does she actually do? Could she be the wife of a painter who enjoys watching her with other men, or will the plot expand into more unusual experiences? Nicoly does not have children so far, so maybe adopting a dog, perhaps a German shepherd, could add a more human and emotional side to her character, showing a touch of loneliness and affection. Another interesting idea would be for her to visit the Lost Family Island, which would create a more consistent and engaging continuation, expanding the story’s universe and giving new directions to her character.View attachment 1912124
The story, early on establishes that Nicoly models for her narcissistic husband. He thinks that he's some modern day Rembrandt and diminishes his wife's contributions. What's currently going on is Nicoly is at the studio of a wealthy client who wants her for himself. She's at the studio motivatd by revenge after her husband insults and ignores her when trying to tell the dullard that the client has offered them money to sleep with Nicoly. But you knew that already if you read beyond the first few scenes of the opening chapter.
 
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And That is part of my gripe with the older stories Foster Mother, Family Sins, Mom's Help and Queen Azalea. Posing the animals over the models in supposed sex acts. It Looks like nonchalant work. Meaning just putting scenes together without consideration to the story or the fans, simply to push out more content for More money. It's part of why I was hesitant to subscribe in the beginning and I won't rehash the other reasons. Now I'm reading that other content, which I'm not a fan of, is being pushed out more while the older stories are languishing. They caught my eye with Grandma but the scenes began following the pattern of the other stories and now It is in limbo too. In the meantime, at least eight new titles have been released since Grandma. That's ridiculous.
Speaking of older titles, what about White Nun, Evil Nun, Sister Grace, Naughty Kamilla and No Way Out? All of the last chapters end with "To Be Continued" but there Hasn't been any continuation for Any of those stories. It reminds me of a newspiece that I watched a couple of decades ago where, here in America, there was a large portion of a highway built but was not finished and ended in the desert. The piece was called "The Highway To Nowhere." There was a lot of talk in the PigKing camp about Respect but it seems No One had respect for the consumers whom they hooked with those stories then Abandoned them. The respect factor works Both ways and I'm still willing to subscribe to the site but a Lot of things have to change and I Don't mean the artwork, which could have been left alone, Imo.
I have a novel idea. Why not Rotate the stories and content? Every 2 months, work on and update the incest/cheating titles, then the beastiality stories, then the futanari stories. THAT way, you could keep the fans well engaged without waiting 6 months or more for updates. The added benefits for the artists is that, by working on various titles a bit more frequently, it reduces the chance for story burnout while also providing a chance to come up with new ideas for all of the stories that's been pushed out when they get to them on the next cycle of content. Seems simple & reasonable enough to me. Idk why no one Else has thought of it. And if there's No Intention of re-addressing the oldest titles any further, just do an ending chapter and an epilogue chapter to close those out so that anyone New happens to comes across them will at least get a chance for closure to the stories, just like the older followers. It Can't be that difficult.
You are absolutely right, especially about White Nun, Evil Nun, Sister Grace, Naughty Kamilla, and No Way Out. Among them, Naughty Kamilla really had enormous potential. The story had a slice-of-life vibe, with an affectionate relationship between the main couple, and the possibility of interaction with the Foster Mother cast made everything even more interesting. The X-ray scenes were a highlight on their own, very well done and creative.
But when it comes to story continuity, it has to be said, the PigKing team is very disorganized. The lack of structure is evident. They know how to render and handle DAZ3D, but the equipment they use seems quite limited for the level of production they aim for. The problem is that they keep creating new characters all the time without continuing the stories they’ve already started, which ends up frustrating their supporters.
Most of the community that follows PigKing has already come to the same conclusion, except for a few possessive fans who try to monopolize the narratives around their favorite characters. However, since there are only three people on the rendering team and a huge number of characters, the stories often get stuck in repetitive environments.
It’s understandable that, to change this structure, they need to invest in new scenes, plugins, and updates, which, of course, costs money. Still, the project could evolve a lot if a dedicated fan decided to get a high-performance laptop designed for rendering and offered technical support, creating quality renders of their favorite characters.
In the end, PigKing’s main flaw isn’t a lack of talent, but a lack of continuity. The absence of proper planning makes good ideas fade away before they can reach their full potential.
What I feel, and consider a major weakness, is the lack of explicit scenes using more up-to-date and realistic plugins, which could give the work a stronger adult vibe. There are very few penetration scenes, and when they try to include something more daring, they always run into the limitations of outdated genital models, both male and female. It would be important to look for newer and more refined assets.
For example, in the scenes created by Juanito Brown in DAZ3D, in Mom’s Help, when the character Nancy, Willie’s mother, appears in a sex scene with a homeless man, the way the genitals are represented ends up being exaggerated, resulting in an artificial look with unbalanced proportions.
I can usually fix this kind of issue by manually adjusting the image to balance the proportions and make it look more natural. In Juanito’s case, I believe this happens due to his heavy workload and the rush to complete renders, which causes certain details to go unnoticed.
Even so, this kind of work could evolve a lot if the PigKing team restructured its production philosophy, modernized its tools, and, most importantly, gave continuity to the characters and stories they’ve already created.
 
The story, early on establishes that Nicoly models for her narcissistic husband. He thinks that he's some modern day Rembrandt and diminishes his wife's contributions. What's currently going on is Nicoly is at the studio of a wealthy client who wants her for himself. She's at the studio motivatd by revenge after her husband insults and ignores her when trying to tell the dullard that the client has offered them money to sleep with Nicoly. But you knew that already if you read beyond the first few scenes of the opening chapter.
Regarding Nicoly, it was just a suggestion, since any change in the story always requires set adjustments, which need to be well planned; many times, these changes involve the need to acquire new plugins and scenes compatible with the script, which demands time, organization, and investment; planning these details in advance ensures greater narrative flow and avoids rework during production.
The main problem is that the characters end up stuck in the same repetitive plots; PigKing seems to reach a point where there is nothing more to develop for a certain character, either due to a lack of new ideas or because the stories remain limited to the same environments and situations; it is always the same cycle: bedroom, homeless man, house, child, neighbor, and again homeless man, until an old man appears; this gets tiring and becomes the same formula for all characters.
Lost Family is an exception; the character Doctor Brandie gained new life when the theme of bestiality was introduced in her story, which brought a creative turn; I believe integrating characters from other series would be a great way to break this monotony, as has already happened in Mom’s Help and Foster Mother.
Since the PigKing universe encompasses several stories, reintroducing old characters in new plots would give more dynamism and depth to the storyline; for example, now that Doctor Brandie is a veterinarian, she could appear in an emergency to attend to Cinthya’s dogs in Lost Family; this type of character crossover would create interesting connections and expand the narrative universe, keeping the audience more engaged.
 
One of the things that most catch my attention in the work done by the renderers in PigKing publications is the layout of the rendered images. It’s clear that the placement of onomatopoeic words can directly affect the visual quality of the scene. When positioned poorly, these words not only make observation harder but also clutter the composition, reducing the brightness and overall impact of the image.In photo no. 1, we have the original layout, published in Big Black Cock 12. The other two show modifications made by me. It’s interesting to see how a simple change in layout composition can greatly improve the presentation, making the work cleaner, more fluid, and visually pleasing. This also allows the viewer to better perceive the nuances of the scene and appreciate the final result more clearly.
1.png
2.png
3.png
 

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