[Pigking/CrazyDad] Comics

[GHITA]

@Juanito Brown Oficial @TeddyPigking @franck romano oficial.... All you have to do is communicate upstream with the fans and subscribers... we're not stupid and we're capable of understanding, so have a great carnival everyone

 

[The_Nonce]

@Juanito Brown Oficial @TeddyPigking @franck romano oficial.... All you have to do is communicate with the fans and subscribers... and we're not stupid and we're capable of understanding, so have a great carnival everyone !!!!
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Not sure why they had to stick it in the PDF itself. Posting it on the website’s front page would’ve been enough.

 

[DupletT]

Not sure why they had to stick it in the PDF itself. Posting it on the website’s front page would’ve been enough.

Surprisingly... they also added this page to the new episode published by Juanito Brown.
I had to delete it from the PDF file as well.

Production line Juanito Brown.

 

[GHITA]

Surprisingly... they also added this page to the new episode published by Juanito Brown.
I had to delete it from the PDF file as well.

Production line Juanito Brown.

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"The Limit"....Yet another new publication

 

[Nippur]

Not cool at all, really I hate violence, I have never seen in pigking this kind of violence before in pigkin's comic, another like Tlamteolt that I hate.

 

[lucy_lover]

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Not cool at all, really I hate violence, I have never seen in pigking this kind of violence before in pigkin's comic, another like Tlamteolt that I hate.

I hate violence too, but this shit is funny

 

[The_Nonce]

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Not cool at all, really I hate violence, I have never seen in pigking this kind of violence before in pigkin's comic, another like Tlamteolt that I hate.

You should read these titles if you don't like violence.

 

[GHITA]

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Not cool at all, really I hate violence, I have never seen in pigking this kind of violence before in pigkin's comic, another like Tlamteolt that I hate.

It's not violence, it's fiction, and frankly, even though I don't follow this publication because it doesn't interest me, I think that's part of its appeal, and above all, it's a welcome change from all the declarations of love with just about anyone... it's grotesque.

 

[GHITA]

I hate violence too, but this shit is funny

I completely agree, and what I look for in a work of fiction is surprise, emotion, something out of the ordinary.

 

[GHITA]

You should read these titles if you don't like violence.

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I remember when I read Spank 01... I was so shocked ! And actually, I realized that, like in cinema, that's what I was looking for. Something out of the ordinary that provokes something.

 

[The_Nonce]

"The Limit"....Yet another new publication

I, myself, am reaching my limit with these new stories no one asked for.

I remember when I read Spank 01... I was so shocked ! And actually, I realized that, like in cinema, that's what I was looking for. Something out of the ordinary that provokes something.

While the Spank series wasn't my cup of tea, I actually liked the model of Teacher Marilia. I wouldn't mind seeing her again, maybe as a guest in one of the other well-known stories.

 

[GHITA]

I, myself, am reaching my limit with these new stories no one asked for.

While the Spank series wasn't my cup of tea, I actually liked the model of Teacher Marilia. I wouldn't mind seeing her again, maybe as a guest in one of the other well-known stories.

I'm really starting to question my subscription... It's getting too much.

 

[Nippur]

You should read these titles if you don't like violence.

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ha ha I didn't remember them

 

[Nippur]

The slap is a detail but what I can't stand is the way Kobayashi speaks "Kobayashi wants to fuck his daughter" "Kobayashi wants Ayumi to take his cum" We understand he is japanese but is so racist ha ha

 

[Jhony Cash (Trader)]

The slap is a detail but what I can't stand is the way Kobayashi speaks "Kobayashi wants to fuck his daughter" "Kobayashi wants Ayumi to take his cum" We understand he is japanese but is so racist ha ha

In the story, Ayumi is repressing herself, and Kobayashi knows what she likes. I also didn’t like the introduction of those two Black characters in the Lost Family storyline; I found the treatment somewhat grotesque. I’m still waiting for the jealous and protective reaction of the canine bodyguards, Zeus and Thor, furious and unleashing a truly epic explosion of bites on the buttocks.
This is my suggestion for resolving the exit of those two characters who, in my view, are out of place. But there are people who liked it. Even so, I think it was well written and the reading is interesting.
In Kobayashi’s case, he is unleashing the “sex machine” that exists within Ayumi, who is repressed, a sexually dissatisfied woman. Remember that she will be going to the island of Lost Family. This is also part of her fetish: she likes spanking, especially on the butt.

 

[Jhony Cash (Trader)]

I'm really starting to question my subscription... It's getting too much.

I consider these publications a waste of time; no one really appreciates them. The time JB spends producing these posts could be better used on the canonical works, with more attention to rendering and scene composition.
From a technical perspective, camera framing in Daz needs to be better utilized. Currently, it seems that all the sex scenes use a single framing, with zoom either too open or poorly adjusted. This harms immersion and clarity of the action. In penetration scenes, the zoom should be closed, focusing exclusively on the act, allowing it to be shown in detail from multiple angles. Panoramic views should be reserved only to show the environment, character positions, and narrative elements, not the sex itself.
Additionally, camera direction should vary strategically: close-ups for anatomical details and expressions, medium shots for interaction between characters, and POV angles that enhance the dynamics of the act. Lighting should also be consistent and highlight the body clearly, without obscuring important parts of the scene. Failing to do this makes the production lose realism, impact, and visual sophistication, turning the material repetitive and unappealing, even for the audience that consumes adult content. Just observe Teddy’s compositions and it will improve a lot.

 

[The_Nonce]

The slap is a detail but what I can't stand is the way Kobayashi speaks "Kobayashi wants to fuck his daughter" "Kobayashi wants Ayumi to take his cum" We understand he is japanese but is so racist ha ha

All that aside, I can’t seem to get into this story because we were sold on the idea that Ayumi (or whatever the F her name is) would be sent off to an island like the one Cynthia’s in to have sex with animals while Kobayashi fucked his granddaughter. We’re 13 chapters in and none of that has even been hinted at anymore.

In contrast, Lost Family had already shown us that within the same first 13 chapters Cynthia had already had sex with the little monkey, Thomas, the gorilla, Johnson, a horse, and had a threesome with Thomas and the gorilla! Meanwhile, Kobayashi has ONLY managed to get a blowjob from Ayumi in the same amount of time. (Yes, I know I'm condensing things, but my point still stands.)

 

[Jhony Cash (Trader)]

4.01 MB file on MEGA

mega.nz

 

[KUBDB]

I've always had a question, @Jhony Cash (Trader) . Does bestiality not bother you at all on a personal level, beyond the work at PK? Not long ago, I read some versions of the "Little Red Riding Hood" story() and I think it might make you reflect a bit on those things with animals, especially Perrault's version. I recommend it.

 

[Jhony Cash (Trader)]

I've always had a question, @Jhony Cash (Trader) . Does bestiality not bother you at all on a personal level, beyond the work at PK? Not long ago, I read some versions of the "Little Red Riding Hood" story() and I think it might make you reflect a bit on those things with animals, especially Perrault's version. I recommend it.

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You asked an interesting question worthy of a response; so I will explain my point of view clearly;


I have previously stated that I make a distinction between artistic creation and real life; I believe that knowing how to separate these two spheres is a mature and rational way to face the world; something inherent to adults who are mentally balanced; Confusing fiction with reality is a sign of immaturity;


Within this context; bestiality as a fictional product; PK; I consider something that can be seen as entertainment; precisely because it does not involve any real aspect of human or animal life; There is no concrete harm; no victim; no suffering; it is an imaginary construction; And I make it absolutely clear; I do not feel attraction to bestiality or zoophilia as a real practice; nor to pornography involving people and animals in real life;


To be frank; and not hypocritical; bestiality exists in real life; There are documented cases; there are reports; there are interviews; This is not my invention; I have read; for example; interviews mentioning Hollywood actresses involved in practices of this kind; The fact that it exists does not mean that I support; practice; or normalize it; It simply means that I recognize that the real world is complex and often morally ambiguous;


What deeply bothers me; and here I want to be emphatic; are practices that involve real human victims; pedophilia; gang rapes; systematic abuse; and crimes justified under the pretext of cultural expression; often defended or relativized as if they were merely differences in customs; including when practiced by cultures alien to the fundamental values of protecting childhood and human dignity;


When cultures; ideologies; or groups attempt to relativize rape or pedophilia as cultural manifestation or individual freedom; this ceases to be an artistic or abstract moral debate; it becomes complicity with real violence;


There is no equivalence between fantasy without a victim and crime with a victim; Putting everything in the same category is intellectually dishonest; Defending or relativizing the abuse of minors or sexual violence under any cultural; ideological; or identitarian justification deserves severe criticism; not complacency;


Separating fiction from reality is maturity; Relativizing real crime is moral decadence;