[Pigking/CrazyDad] Comics

[GHITA]

Of course, what I regret is that creators no longer have the time or the desire to interact with any of us….

 

[GHITA]

View attachment 2392495View attachment 2392496View attachment 2392497View attachment 2392498View attachment 2392499View attachment 2392500View attachment 2392501Unfortunately, the work isn’t good, and I need to be very direct and clear about it: Teddy’s direction feels lost, and the story has stalled. In a 3D production, a certain level of precision and realism is expected, and that’s simply not happening. Sex scenes require much tighter framing, with zooms and close-ups that clearly show the details of penetration and the interaction between the models. Keeping wide shots and focusing too much on motion effects in the render only hurts the composition and takes away the explicitness the audience is looking for. As I always say, less is more — this excess of editing doesn’t replace well-executed camera positioning.
Teddy needs to remember that this is a pornographic production. If he delivered well-developed and detailed scenes, the result would be completely different, but it feels like he doesn’t care about these essential aspects. My advice is: don’t take the easy route. Don’t do what Frank Romano does, delivering nothing truly explicit. Taste is subjective, and some people like his style, but the fact is he doesn’t seem interested in delivering something authentic and realistic. Teddy is heading in that same direction, delivering something without verisimilitude that feels more like visual deception than a realistic sex scene.
To make matters worse, the plot has completely lost its creativity. This endless loop of Johnson selling his daughter on the island, without any relevant clients appearing, has made the story boring. If it continues like this, the two Black characters will end up becoming the main focus by default, but in empty, poorly explored scenes with zero development. Right now, there’s nothing interesting happening. the narrative is stuck, and the rendering isn’t delivering the authenticity that a production at this level should require.

I confess that personally, I find the presence of the two brothers a wonderful interlude; their presence helped reveal the heroine's true personality. Other clients will book stays with Cynthia, and each time it will be an opportunity to develop other themes or delve deeper into those already explored. Personally, I think it's a very clever way for Teddy to maintain this alternation while addressing different and unconventional, even taboo, subjects. Finally, it's true that I prefer wide shots to close-ups. I enjoyed the context, the scenery, and the details of the environment, but that's just my personal opinion.

 

[Rian]

Hey @Juanito Brown Oficial.
How long til Mergarethe chapter 18, pal???

 

[Ghostmane]

I confess that personally, I find the presence of the two brothers a wonderful interlude; their presence helped reveal the heroine's true personality. Other clients will book stays with Cynthia, and each time it will be an opportunity to develop other themes or delve deeper into those already explored. Personally, I think it's a very clever way for Teddy to maintain this alternation while addressing different and unconventional, even taboo, subjects. Finally, it's true that I prefer wide shots to close-ups. I enjoyed the context, the scenery, and the details of the environment, but that's just my personal opinion.

i like the idea of them to how i wanted it to hapen would have been a little different as well like say when cynthia first got to the island with her son their could have been black natives that she had sex with instead but were well past that point i am still glad shes getting some bbc treatment shes basically done everything else. my question is how would you feel if they did a cameo episode like the christmas one where cynthia got abducted by aliens in the night fucked them and they drop her off in the morning without her remembering a thing?

 

[Nippur]

Two chapters of the new comic What To Do by Frank Romano, really I don't know the reazon to start a new comic, not only there are a lot of stories now but also the fact that this new one, is unoriginal, the development appears too be rushed, and the dialogues, too much text full of common places, oneselves at least expect the sexual scenes would be appealing but not none of them are. A waste of resource that could have been invested in the previous stories.

 

[GHITA]

i like the idea of them to how i wanted it to hapen would have been a little different as well like say when cynthia first got to the island with her son their could have been black natives that she had sex with instead but were well past that point i am still glad shes getting some bbc treatment shes basically done everything else. my question is how would you feel if they did a cameo episode like the christmas one where cynthia got abducted by aliens in the night fucked them and they drop her off in the morning without her remembering a thing?

Personally, I think the supernatural or mythological aspect is perfectly suited to QA and TR.

Science fiction is a subject that the creator Blackhadder sometimes likes to explore in his heroine publications, like Gisela...

 

[GHITA]

Two chapters of the new comic What To Do by Frank Romano, really I don't know the reazon to start a new comic, not only there are a lot of stories now but also the fact that this new one, is unoriginal, the development appears too rush, and the dialogues, too much text full of common places, you at least expect the sexual would be appealing but not none of them are. A waste of resource that coulb be invested in the previous stories.

Hahaha... but he's the owner !

 

[Rian]

Hahaha... but he's the owner !

Yeah. But his choices has been lacklustre; you have to agree on that.

 

[Jhony Cash (Trader)]

Two chapters of the new comic What To Do by Frank Romano, really I don't know the reazon to start a new comic, not only there are a lot of stories now but also the fact that this new one, is unoriginal, the development appears too rush, and the dialogues, too much text full of common places, you at least expect the sexual would be appealing but not none of them are. A waste of resource that coulb be invested in the previous stories.

Frank Romano never disappoints, just when you think he’s hit rock bottom, he shows up with a shovel and keeps digging.

 

[Jhony Cash (Trader)]

The joke writes itself. The author describes this scene as if Cynthia is standing before a marvel of engineering, but the math just doesn't add up. This woman was just devastated by a massive black stallion with a member ten times the size of this guy's—at this point, her pussy and ass must look like the entrance to a subway tunnel during rush hour—and yet, she looks at a human and drops a: "My God, what a monument!".
For God’s sake, Cynthia! After taking an equine log that could punch through a fortress wall, any human attribute should look like a Q-tip lost in an airplane hangar. But she sticks to the heroic narrative, swearing she’s witnessing a "historical event."
The author insists she’s in shock, but we know the truth: deep down, Cynthia is just fumbling in the dark, trying to figure out where the guy even touched. After all, in the space that horse left behind, you could park an articulated bus with room to spare for a semi-truck. It’s either the peak of faking it or a miracle of geometry!

 

[The_Nonce]

View attachment 2399026The joke writes itself. The author describes this scene as if Cynthia is standing before a marvel of engineering, but the math just doesn't add up. This woman was just devastated by a massive black stallion with a member ten times the size of this guy's—at this point, her pussy and ass must look like the entrance to a subway tunnel during rush hour—and yet, she looks at a human and drops a: "My God, what a monument!".
For God’s sake, Cynthia! After taking an equine log that could punch through a fortress wall, any human attribute should look like a Q-tip lost in an airplane hangar. But she sticks to the heroic narrative, swearing she’s witnessing a "historical event."
The author insists she’s in shock, but we know the truth: deep down, Cynthia is just fumbling in the dark, trying to figure out where the guy even touched. After all, in the space that horse left behind, you could park an articulated bus with room to spare for a semi-truck. It’s either the peak of faking it or a miracle of geometry!

My god, I have NEVER laughed so hard at a critique about porn than ever before!!!

 

[Jhony Cash (Trader)]

I increased the sharpness of Cynthia and her puppy by 10%, while keeping the rest of the landscape frame at the original PDF quality. I didn’t change the skin tone of the Black character, leaving it as originally defined. Even so, the added sharpness helps highlight Cynthia and her puppy more, giving them greater presence within the composition.The composition turned out great; the tighter framing enhanced the sense of movement and the dynamics of the image. Despite Cinthya and her puppy being in the shadows, the boost in sharpness effectively emphasized the foreground.

 

[The_Nonce]

View attachment 2400475View attachment 2400498View attachment 2400500View attachment 2400504I increased the sharpness of Cynthia and her puppy by 10%, while keeping the rest of the landscape frame at the original PDF quality. I didn’t change the skin tone of the Black character, leaving it as originally defined. Even so, the added sharpness helps highlight Cynthia and her puppy more, giving them greater presence within the composition.The composition turned out great; the tighter framing enhanced the sense of movement and the dynamics of the image. Despite Cinthya and her puppy being in the shadows, the boost in sharpness effectively emphasized the foreground.

I would hail you as a hero if you did that to the entire Mansion Arc because you can't see SHIT in that darkness.

 

[GHITA]

Out of boredom, I checked the statistics available on your website. Among the 9 most viewed articles, with over 1500 views EACH; ((all categories combined) 7 concern LF and 2 FM, both in terms of publications and topics covered… @franckromano @TeddyPigking @Beastcomics @Juanito Brown Oficial, aside from "avoiding" comments or private messages from your subscribers and fans, what is it that you refuse to understand...

...WHAT IS IT THAT YOU REFUSE TO UNDERSTAND !?!?!?

 

[GHITA]

View attachment 2400475View attachment 2400498View attachment 2400500View attachment 2400504I increased the sharpness of Cynthia and her puppy by 10%, while keeping the rest of the landscape frame at the original PDF quality. I didn’t change the skin tone of the Black character, leaving it as originally defined. Even so, the added sharpness helps highlight Cynthia and her puppy more, giving them greater presence within the composition.The composition turned out great; the tighter framing enhanced the sense of movement and the dynamics of the image. Despite Cinthya and her puppy being in the shadows, the boost in sharpness effectively emphasized the foreground.

I would hail you as a hero if you did that to the entire Mansion Arc because you can't see SHIT in that darkness.

It's a waste of time. Anyway, they don't take our opinions or criticisms (which they stupidly mistake for attacks) into account; worse still, they're not interested. I could understand if they were only interested in our subscriptions, but clearly not even that.

Not to mention their constant lack of work ethic... it's like a company on its last legs, perpetually chasing the next marketing stunt. One day it's a puzzle that's immediately abandoned, the next it's a survey meant to be used for several publications that stopped with Suky months ago, and now it's promoting "Princess Leah," an unknown partner, not to mention the almost daily posts on Patreon of AI-generated images that everyone laughs at...

The publication schedule, which only involves some of the creators, is no longer updated after just a few weeks... In short, nothing is managed like a real business; it's quite disheartening to see that they don't understand that good intentions aren't enough. Managing means having a strategy, making choices, and implementing them; that's how you grow and make MONEY !

Ah yes, that's right, they're "artists" so money doesn't interest them, only their "art" interests them... well, know that the world is full of "artists" who don't interest and never will interest anyone, so at least try to do things that your audience likes !!!

When one of your posts barely gets 80 views after a few days and another gets 200 in 24 hours...MAKE THE RIGHT CHOICE !!!!

BUY YOURSELF A REAL C.E.O. BEFORE YOU DISAPPEAR WITH YOUR TALENT.

 

[Rian]

It's a waste of time. Anyway, they don't take our opinions or criticisms (which they stupidly mistake for attacks) into account; worse still, they're not interested. I could understand if they were only interested in our subscriptions, but clearly not even that.

Not to mention their constant lack of work ethic... it's like a company on its last legs, perpetually chasing the next marketing stunt. One day it's a puzzle that's immediately abandoned, the next it's a survey meant to be used for several publications that stopped with Suky months ago, and now it's promoting "Princess Leah," an unknown partner, not to mention the almost daily posts on Patreon of AI-generated images that everyone laughs at...

They should "buy" a real CEO before disappearing, pleased with their talent.

The road seems to be headed to the same quicksand where Y3DF went. While the later still had "the spark", pigking products feels like expired liquor that is barely surviving upon a few good shots like LF and very few others.

 

[GHITA]

I'm rereading FM 59. I'm a huge fan of this series... but I'm completely disappointed. Sonia's face, which used to express a kind of kindness and elegance, has become expressionless.

This "Greek" escapade, which could have been a moment of real, abrupt, difficult, yet realistic negotiation between a tough businessman and a woman eager to grow her business, turns into a sex session that's almost romantic. As if sex were automatically a moment of love... and I won't even go into the Greek gods' obsession, Aphrodite and Ares, which has the fury of a TEENAGER but seems to transport Sonia into absolute ecstasy (one really wonders why).

Finally, I realized that the characters no longer express anything. No "vocal" expressions of pleasure, just coldest dialogue that is, sorry, but grotesque.

As I said, I love JB's work so much that my disappointment is all the greater. No boldness, no originality, in short, a banal installment, whereas the theme introduced in the previous opuses had the potential to quickly lead to a truly compelling storyline.

I'm ending this month, and with a certain sadness, I'll be canceling my PK subscription.

Too few of the publications are interesting, and those that are are underdeveloped and have become tedious and why don't tell the true, then there's the lack of real contact with the creators, more interaction, more replies to DMs... in short, a disinterest in who we are that I don't find very appealing, and to which I personally am sensitive.

 

[Rian]

I'm rereading FM 59. I'm a huge fan of this series... but I'm completely disappointed. Sonia's face, which used to express a kind of kindness and elegance, has become expressionless.

This "Greek" escapade, which could have been a moment of real, abrupt, difficult, yet realistic negotiation between a tough businessman and a woman eager to grow her business, turns into a sex session that's almost romantic. As if sex were automatically a moment of love... and I won't even go into the Greek gods' obsession, Aphrodite and Ares, which has the fury of a TEENAGER but seems to transport Sonia into absolute ecstasy (one really wonders why).

Finally, I realized that the characters no longer express anything. No "vocal" expressions of pleasure, just coldest dialogue that is, sorry, but grotesque.

As I said, I love JB's work so much that my disappointment is all the greater. No boldness, no originality, in short, a banal installment, whereas the theme introduced in the previous opuses had the potential to quickly lead to a truly compelling storyline.

I'm ending this month, and with a certain sadness, I'll be canceling my PK subscription.

Too few of the publications are interesting, and those that are are underdeveloped and have become tedious and why don't tell the true, then there's the lack of real contact with the creators, more interaction, more replies to DMs... in short, a disinterest in who we are that I don't find very appealing, and to which I personally am sensitive.

It's understandable. I was really excited when they made some big changes to the creative team; but it seems to be a short breath of air before hitting rock bottom.
The biggest frustrating point is that the makers seems to have gone back to the pre pandemic era when they would shove everything into one or two comics just for the sake of spinoffs.

 

[GHITA]

It's understandable. I was really excited when they made some big changes to the creative team; but it seems to be a short breath of air before hitting rock bottom.
The biggest frustrating point is that the makers seems to have gone back to the pre pandemic era when they would shove everything into one or two comics just for the sake of spinoffs.

I'm probably being a bit harsh, and my comments aren't an attack on anyone in particular, just an expression of genuine disappointment.

So I'm drawing the necessary conclusions, with some regret.

 

[Jhony Cash (Trader)]

Art, in its essence, is a constant search for balance between technique and emotion, and your work at Pigking has always stood out by reaching the very peak of that balance. However, it is clear that the transition to the rectangular format has imposed a high cost on the aesthetic that made you famous. My advice to you is an invitation to reflect: sometimes, expanding the horizon of the image ends up diluting the soul of what is being portrayed. The square format (1:1) was not just a technical choice; it was the frame that forced perfection.

In Daz3D, the square format is the natural habitat of hyper-realism. It mandated the use of tight focal lengths which, by nature, eliminate distortions and treat the human face with the nobility of a classic portrait. By adopting the rectangle, you gained scenery but lost the pixel density that made the skin, the gaze, and the expressions of the characters feel almost palpable, almost photographic. The audience misses that overwhelming presence—that surgical sharpness that only a total focus on the character can deliver.

Do not view the return to the 1:1 format as a step backward, but as a reclamation of your own identity. If the Pigking trademark is stunning beauty and unreachable technical quality, the square is the stage where that talent shines without distractions. In the rectangle, the render engine divides its power between the character, the walls, the floor, and the furniture; in the square, every ray of light calculated by Iray is dedicated to sculpting perfection into the model. It is an economy of resources that translates into an immeasurable artistic gain.

Therefore, my personal advice is: close the zoom once again. Reclaim the intimacy that the square format provides. Let the scenery be merely an implied detail and bring the character back to the center of everything, with all the wealth of detail that the public has come to love. If the world asks for wide screens, give them instead the depth of a portrait that needs no extra space to be grand. The true evolution of an artist is not in changing formats, but in mastering the one where their voice is clearest and most powerful.