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[Pigking/CrazyDad] Comics

Why are they debating as if PK comics were 18th-century English literature? They're just images to get aroused and masturbate to.
Airbrush-IMAGE-ENHANCER-1775795923518-1775795923518.png
 
I read the last two chapters of Louise, and to be honest, the facial features of this new character were elaborate, varied, and very expressive , unlike the features of the characters in other stories, which are often not as varied like this one which looked like "more alive".

I hop Ted can make something similar for Evelyn in BBC.

20260410_003251.jpg
 
I read the last two chapters of Louise, and to be honest, the facial features of this new character were elaborate, varied, and very expressive , unlike the features of the characters in other stories, which are often not as varied like this one which looked like "more alive".

I hop Ted can make something similar for Evelyn in BBC.

View attachment 2458895
Wow! Their face has good symmetry and a lot of potential.šŸ’Æ
 
6_PDFsam_Lost Family 30.jpg
People have fallen so in love with the 16:9 full screen format that they end up getting lost in rendering landscapes instead of focusing on the character. I agree that it looks nice and beautiful, but in night scenes, everything stays dark and you cannot see anything. Since they no longer work in the 1:1 format, what we have now are characters with cartoonish faces or porcelain doll looks, finished but without skin texture or realism. It only serves to satisfy the renderer who is in love with beautiful landscapes.

Even though there is a monumental effort from renderers to give expressions to characters, the only way I see forward is for PigKing, Teddy, Juanito Brown, and Frank Romano to acquire high performance video cards, as well as motherboards and coolers suitable for rendering work. It would be interesting, but even so, since the 16:9 area is larger, the framing needs to be well done, usually with a tight camera focus to put the character in the foreground. People get lost in gym environments, it looks good for those who rendered it, but nothing surpasses the characters when they were rendered in 1:1 format. Nothing made today compares to their quality. The diagnosis is simple, the work is beautiful, congratulations, but that visual quality has already been completely lost.
 
View attachment 2459336People have fallen so in love with the 16:9 full screen format that they end up getting lost in rendering landscapes instead of focusing on the character. I agree that it looks nice and beautiful, but in night scenes, everything stays dark and you cannot see anything. Since they no longer work in the 1:1 format, what we have now are characters with cartoonish faces or porcelain doll looks, finished but without skin texture or realism. It only serves to satisfy the renderer who is in love with beautiful landscapes.

Even though there is a monumental effort from renderers to give expressions to characters, the only way I see forward is for PigKing, Teddy, Juanito Brown, and Frank Romano to acquire high performance video cards, as well as motherboards and coolers suitable for rendering work. It would be interesting, but even so, since the 16:9 area is larger, the framing needs to be well done, usually with a tight camera focus to put the character in the foreground. People get lost in gym environments, it looks good for those who rendered it, but nothing surpasses the characters when they were rendered in 1:1 format. Nothing made today compares to their quality. The diagnosis is simple, the work is beautiful, congratulations, but that visual quality has already been completely lost.
I am getting addicted to your analizes You damn it. :LOL:
 
That's @Jhony Cash (Trader) .šŸ˜† He’ll drop a technical, professional comment that nobody understands, accompanied by a compromising photo of Cynthia that would make even the CIA delete their search history. šŸ™€
Welcome back.
At first, the average user really does not have much knowledge about hardware, and I recognize that it is necessary to study more to understand certain technical concepts. Even so, the analysis I am making has a very specific focus, the work of PigKing.
It is important to make it clear that I am not questioning the genre of the story. In narrative terms, I have no criticism to make. The issue here is purely technical, focused on the production approach and especially on the construction of the character.
That said, feel free to make any criticisms you find necessary.
Once again, welcome back.
 
22_PDFsam_Lost Family 30.jpg
When I come across a scene like this one, I cannot find anything in the 16:9 format that surpasses this type of approach. The skin texture and the focus on the foreground are, it must be said, magnificent. As I translate this chapter, I ask myself if it was truly worth abandoning this level of quality to render landscapes, rivers, forests, gyms, sweeping skies, and passing clouds. Here, the focus was the character, and the immersion was absolute.

PigKing built his reputation not only through the themes he addresses, but also through the 1:1 format, which forced the renderer to place the character in the foreground. This increased the level of detail in skin textures, beautiful features, and magnificent expressions that conveyed true emotion. What we have today is a massive effort to deliver work that, at most, reaches 65% of the quality of this material.

It is not that I dislike the 16:9 format or Teddy’s work, which is, by the way, great. Today we know that the problems faced are not entirely the fault of the renderers. Issues such as penetration, showing more explicit details, are sometimes errors in approach or a lack of expertise in manipulating Daz3D. Juanito Brown had some hardware deficiencies and certain bugs that appeared, especially when rendering specific scenes, but he sought to correct these problems to show the scene as explicitly as possible.

The issue here is purely and simply the way things were done. The 1:1 format built PigKing’s fame, and the question remains whether it would be interesting to return to the format that established the studio. Imagine the level of rendering the 1:1 format could achieve today with these updated plugins.
 
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Welcome back.
At first, the average user really does not have much knowledge about hardware, and I recognize that it is necessary to study more to understand certain technical concepts. Even so, the analysis I am making has a very specific focus, the work of PigKing.
It is important to make it clear that I am not questioning the genre of the story. In narrative terms, I have no criticism to make. The issue here is purely technical, focused on the production approach and especially on the construction of the character.
That said, feel free to make any criticisms you find necessary.
Once again, welcome back.
When @Jhony Cash (Trader) welcomes you, it means you've beaten the 'game of life' with 5 stars. šŸ„³šŸ˜„Thanks a lot! It's cool to see your progress; it's the total opposite of @Rian's path. Jhony went from being a difficult person to someone much more chill.šŸ‘ If @Rian is Anakin, @Jhony Cash (Trader) is definitely Han Solo.šŸ˜†šŸŒŒ
 
Jesus Christ... So PK is now trying to appeal to the furry community?

To each their own, but damn... Of all the kinks, furry content is something I'll never understand. Not even Viagra could get me to get aroused by that stuff.
Well, the makers has been hooked to bestiality since the very beginning, so it's not a big surprise for me at least.šŸ˜‚šŸ˜†šŸ¤£
 
PK seems to be having serious problems right now :

- Lack of inspiration and boldness
- Uneven quality of the artwork
- And finally, a team problem (JB's absence worries me).
 
Jesus Christ... So PK is now trying to appeal to the furry community?

To each their own, but damn... Of all the kinks, furry content is something I'll never understand. Not even Viagra could get me to get aroused by that stuff.
This is clearly an isekai based on Japanese anime, and I don’t have any problem with that kind of approach. In fact, I understand the narrative context of an isekai story and I actually like this style a lot. The issue here isn’t the genre, it’s the execution.
There’s a lack of continuity. The story doesn’t flow properly, it feels disposable and filled with irrelevant elements that lead nowhere. Frank Romano simply can’t build something with real narrative coherence. If he managed to structure the plot better and give consistency to the events, it could actually be worth following. But as it stands, it just feels like a bunch of disconnected ideas.
And then there’s another problem: he doesn’t render sex scenes and insists on creating characters with no sexual appeal. It feels like he doesn’t understand the concept of erotic comics. He keeps trying to create something that only works in his own head, but doesn’t connect with the audience that looks for this kind of content.
Honestly, I think he has some clear limitations in this aspect, maybe even a specific audience that enjoys less attractive characters. I have nothing against the fox girl herself, but she could be much more exuberant, with a stronger sex appeal that better matches the proposal.
 
Those idiots at X suspended PK's account... when you see all the hate and troll accounts on this social network, they really had nothing better to do !!!! :rolleyes::rolleyes::rolleyes::rolleyes:
 

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