Jhony Cash (Trader)
Active member
Onomatopoeic words are not central elements in erotic art. At best, they exist to discreetly complement the visual composition, never to steal focus or replace what truly matters.
Penetration in erotic art is not a casual detail, nor a decorative accessory. It is the core of the matter, the visual and narrative axis of the scene. Treating penetration as something secondary while giving excessive emphasis to little words and sound effects is repeating, for the millionth time, the same basic mistake.
On one side, Daval3D delivers a true lesson in eroticism and in the representation of penetration in 3D erotic art, with focus, intention, and clear visual language. On the other side, what we get is merely a lesson in onomatopoeias, as if eroticism could be solved with typography scattered across the screen.
Confusing visual complement with protagonism shows a lack of understanding of eroticism, of narrative, and of art. It is the substitution of substance with noise.
noise. 
Penetration in erotic art is not a casual detail, nor a decorative accessory. It is the core of the matter, the visual and narrative axis of the scene. Treating penetration as something secondary while giving excessive emphasis to little words and sound effects is repeating, for the millionth time, the same basic mistake.
On one side, Daval3D delivers a true lesson in eroticism and in the representation of penetration in 3D erotic art, with focus, intention, and clear visual language. On the other side, what we get is merely a lesson in onomatopoeias, as if eroticism could be solved with typography scattered across the screen.
Confusing visual complement with protagonism shows a lack of understanding of eroticism, of narrative, and of art. It is the substitution of substance with noise.
