GHITA
Archiviste
Thank you. I think that at some point you have to know how to say things even if they are not pleasant to read.Sad but understandable.
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[Pigking/CrazyDad] Comics
- Thread starter pinheiroleo33
- Start date
- big-ass milf
- incest
DupletT
Active member
This is my version.
Recently, PK's main focus has been on updating the PigkingOfficial website.
AI images are updated daily there.
Less time is devoted to updates on the pigking.com.br website. According to the residual principle.
So, the Rio Carnival has nothing to do with it.
It is impossible to do two jobs at the same time.
DupletT
Active member
You've been working on this project for over a month now...
I really hope the result of this work doesn't turn out to be another "Game Lost Family."
GHITA
Archiviste
Ah, very good. I don't think I'm far off in saying that the vast majority of subscribers did so for the PK website and its publications. Far fewer did so for a collection of AI-generated images lacking originality. Personally, if I'm clearly told that the $720 per year is primarily intended for another project on Patreon, so be it. I know exactly what to do.
As for using the Carnival excuse and going back to work on Monday... forgive me, but I didn't invent that one.
(It shouldn't confuse a "fan" with a customer. Fans are always happy with everything and always excuse everything (and I'm one of them sometimes)... a customer pays for service and professionalism (and I am currently one of them). It's the customer who keeps a business afloat, and sorry to be blunt... but they're the most important element of any business. History is full of brilliant companies, with equally brilliant products, that went bankrupt because they were unable to manage their customers... it's BUSINESS)
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DupletT
Active member
By the way, the idea about the carnival in Rio belongs to you.
It's true they haven't posted any PDFs for a week and the schedules aren't being updated. So, I'm not surprised; PK often starts things they don't follow through on... As for the rest, we can assume that the Rio Carnival has started and they're all more or less on vacation.
(As always, we must be...
PKs made good use of this idea after seeing it in your comment.
GHITA
Archiviste
By the way, the idea about the carnival in Rio belongs to you.
It's true they haven't posted any PDFs for a week and the schedules aren't being updated. So, I'm not surprised; PK often starts things they don't follow through on... As for the rest, we can assume that the Rio Carnival has started and they're all more or less on vacation.
PKs made good use of this idea after seeing it in your comment.
you're not fair with me 
Jhony Cash (Trader)
Active member
Every time I share an opinion, a controversy arises. Maybe my flaw is precisely my sincerity, and not everyone likes to hear certain things.
In my view, the only one who presents truly more interesting work is Teddy. And it is not because of the theme, bestiality, but because of the execution. The others make serious mistakes in framing. The scenes stay in the same plane, with no variation of camera, no depth, no perspective. It all feels copied and pasted.
The works by Juanito Brown and Frank Romano, for example, often feel like variations of the same material. I do not know if it is a hardware limitation, lack of time, or simply the pressure of delivering a chapter every week as if they were industrial machines. But the result is repetitive.
The poses are almost always the same. In the more explicit scenes, they hide the genitals and the penetration, which weakens the erotic proposal. Frank Romano, in particular, rarely shows anything more direct. Sometimes he leaves a penis visible just to signal that it is an adult publication, rather than building a scene with stronger visual impact.
Many people do not like this type of criticism and prefer to think everything is wonderful. But it is enough to compare carefully. Teddy, with all his flaws, at least tries to vary the framing, work with 3D angles, and use zoom and perspective that truly resemble a more carefully crafted erotic production. At least he makes an effort to show the penetration scenes as clearly as possible, with tighter zoom framing, and this is a constant in the work he presents.
Perhaps the ideal would be to slow down and focus more on quality. One suggestion would be to charge a unit price of 3 dollars per chapter, and also offer a package including all publications. That way, the audience would pay only for the titles and authors they truly appreciate, and the artists could produce with more care instead of just meeting deadlines.
I will give some advice to Juanito Brown, especially because I genuinely like the Big Black Cock series. Imagine that you are a film director and you are directing an adult movie. You would naturally look for the best camera angles, the most expressive and intense facial performances, and the most visually impactful moments. You would bring the camera closer in high definition to highlight details, focus on the interaction between the characters, and capture the scene with clarity and intention.
People who seek this type of content want to see well constructed sex scenes, not just overlapping bodies that feel censored or visually blocked. The difference lies in direction, framing, and the willingness to fully commit to the visual language of the genre.
Sometimes less rush and more reflection make all the difference.
In my view, the only one who presents truly more interesting work is Teddy. And it is not because of the theme, bestiality, but because of the execution. The others make serious mistakes in framing. The scenes stay in the same plane, with no variation of camera, no depth, no perspective. It all feels copied and pasted.
The works by Juanito Brown and Frank Romano, for example, often feel like variations of the same material. I do not know if it is a hardware limitation, lack of time, or simply the pressure of delivering a chapter every week as if they were industrial machines. But the result is repetitive.
The poses are almost always the same. In the more explicit scenes, they hide the genitals and the penetration, which weakens the erotic proposal. Frank Romano, in particular, rarely shows anything more direct. Sometimes he leaves a penis visible just to signal that it is an adult publication, rather than building a scene with stronger visual impact.
Many people do not like this type of criticism and prefer to think everything is wonderful. But it is enough to compare carefully. Teddy, with all his flaws, at least tries to vary the framing, work with 3D angles, and use zoom and perspective that truly resemble a more carefully crafted erotic production. At least he makes an effort to show the penetration scenes as clearly as possible, with tighter zoom framing, and this is a constant in the work he presents.
Perhaps the ideal would be to slow down and focus more on quality. One suggestion would be to charge a unit price of 3 dollars per chapter, and also offer a package including all publications. That way, the audience would pay only for the titles and authors they truly appreciate, and the artists could produce with more care instead of just meeting deadlines.
I will give some advice to Juanito Brown, especially because I genuinely like the Big Black Cock series. Imagine that you are a film director and you are directing an adult movie. You would naturally look for the best camera angles, the most expressive and intense facial performances, and the most visually impactful moments. You would bring the camera closer in high definition to highlight details, focus on the interaction between the characters, and capture the scene with clarity and intention.
People who seek this type of content want to see well constructed sex scenes, not just overlapping bodies that feel censored or visually blocked. The difference lies in direction, framing, and the willingness to fully commit to the visual language of the genre.
Sometimes less rush and more reflection make all the difference.
DupletT
Active member
I like all three artists. Each of them has something special about them.
I won't single anyone out... Each one is good in their own way...
GHITA
Archiviste
If I worked in television, I'd constantly be monitoring the ratings... if I owned a publishing company, I'd do exactly the same thing.
and my priority would be to respond to this audience !!!!
The issue isn't reducing the rythm of publications, but stopping the endless churn of new ones.
That's precisely what they're not doing at PK.
and my priority would be to respond to this audience !!!!
The issue isn't reducing the rythm of publications, but stopping the endless churn of new ones.
That's precisely what they're not doing at PK.
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Beastcomics
Active member
Beastcomics
Active member
I'll give it to him!
GHITA
Archiviste
Btw, some people, and everyone is entitled to their opinion, complain about the bestiality in PK's publications, so I wanted to investigate. In the MILF category, I counted 5 where it's the main theme (LF, FM, NI, and perhaps DB and FiL at Home). Even though these are the most popular publications, it's not a huge number compared to the overall catalog. There are also publications that regularly explore this theme; there are 4 of them (Amanda, FS, Skylar, MH). I'm not counting QA and TB, which, in my opinion, fall more into the "fantasy-SF" genre.
In the MILF category, there are exactly 55 different titles... so I don't think we can say that bestiality is omnipresent with only 9 publications.
In short, it's a small minority within PK's entire catalog. Admittedly, it's much more visible because these are the most popular publications when you look at the statistics, the most commented, the highest rated, and the most viewed.
In the MILF category, there are exactly 55 different titles... so I don't think we can say that bestiality is omnipresent with only 9 publications.
In short, it's a small minority within PK's entire catalog. Admittedly, it's much more visible because these are the most popular publications when you look at the statistics, the most commented, the highest rated, and the most viewed.
GHITA
Archiviste
Just for fun, here are screenshots of the Top 6 highest-rated episodes (all categories)...
... and now the Top 6 most-viewed episodes !!!
I could have made the same Top 10 ranking, but that would have just confirmed this one. So, we can all discuss our preferences, and that's perfectly normal, but I think we need to consider the reality of the audience. That's what I was referring to in my previous post.
... and now the Top 6 most-viewed episodes !!!
I could have made the same Top 10 ranking, but that would have just confirmed this one. So, we can all discuss our preferences, and that's perfectly normal, but I think we need to consider the reality of the audience. That's what I was referring to in my previous post.
Thomas15
Member
I only follow Lost Family. With the introduction of the black characters and the fact that they don't publish as frequently anymore, I stopped subscribing.
GHITA
Archiviste
Personally, I found the admittedly temporary introduction of the two brothers to be a stroke of genius by Teddy. The tone, the brutality—in short BDSM, the approach to an additional theme beyond that of bestiality—only enriches the fantasies world of LF.
Whether Bill and Beef are black, green, blue or multicolored is completely irrelevant to me (I confess that these considerations of color, or even race, leave me perplexed).
But it's true that the release schedule for this series is surprising given its audience. So perhaps he's using it as a "loss leader," a bit like McDonald's with the Big Mac.
or simply because this series deserves more attention than the others and takes longer to create... who knows
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Beastcomics
Active member
Thomas15
Member
Yes, I understand they're trying to innovate the series and give it a new twist. I won't deny it; I don't like interracial relationships. My main concern is the release schedule. I'm not saying they should release four episodes a month, but at least one every two months. That way, the wait feels shorter.Personally, I found the admittedly temporary introduction of the two brothers to be a stroke of genius by Teddy. The tone, the brutality—in short BDSM, the approach to an additional theme beyond that of bestiality—only enriches the fantasies world of LF.
Whether Bill and Beef are black, green, blue or multicolored is completely irrelevant to me (I confess that these considerations of color, or even race, leave me perplexed).
But it's true that the release schedule for this series is surprising given its audience. So perhaps he's using it as a "loss leader," a bit like McDonald's with the Big Mac.
or simply because this series deserves more attention than the others and takes longer to create... who knows
GHITA
Archiviste
Undeniably !
GHITA
Archiviste
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