Again, questions about dramaturgy. I'm not sure if you know the term "Chekhov's Gun," but it's a universal principle for any script: If something was shown on camera, it should work.
And if in the last episode the heroine is fiddling with a soft penis, lamenting her inability to experience pleasure, then in the next scene, in which she's staring at a MILF's perky butt, we definitely don't expect a hamburger, which hasn't been shown in the story before.
Perhaps it would be more appropriate (if the author doesn't want to immediately pull out a strap-on from the nightstand) to engage in some kind of reflection or relaxation.
- Inspecting one's body in the mirror, which will further arouse and inspire thoughts that there is another path to pleasure since the usual one isn't working. And then immediately dismiss it out of fear.
- Make out with a fellow dancer and try to force sex (and she'd be down for it), but his penis treacherously remains soft. Then his co-worker suggests he try/show her "How Girls Do It With Each Other."
- Send him to a massage, where, under skilled hands, he'd start moaning and writhing in overstimulation, and he wouldn't even notice his butt sticking out. And then maybe a hired masseur/masseuse would touch him in specific places, and he'd be so excited he'd let them do it without resisting.
- Or, most banal and vulgarly, his boss would greet him in sexy lace lingerie. She'd say, "I can take it all back if it's really that boring to you. But are you sure you're still a man?" And demand he prove his masculinity in bed, which, of course, he'd fail because his penis refused to get aroused.
Or even all of this in the right order. But definitely not two episodes of sitting on the splits and chatting about nothing.