Rian
Active member
You and your wacky love for claire.It would be amazing to see Claire like that, she’d look incredible.Just kidding, though—don't feel pressured if you're not up for it. Everything in due time.
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You and your wacky love for claire.It would be amazing to see Claire like that, she’d look incredible.Just kidding, though—don't feel pressured if you're not up for it. Everything in due time.
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One day I’m going to sneak him into Claire’s series, but I won’t say anything. I’ll just leave a hint. And I’ll hide a bear in the images—whoever finds all 5 bears wins a prize.Not in front of Teddy, @Rian !Not that it matters, but I doubt Teddy even takes me seriously anyway.
Regardless, I’ll have Claire’s back from the sidelines.
Over and out!
Oh, you're too kind, but we really shouldn't. we can't accept it. Although, it’s hard not to wonder if this award is actually for Claire.One day I’m going to sneak him into Claire’s series, but I won’t say anything. I’ll just leave a hint. And I’ll hide a bear in the images—whoever finds all 5 bears wins a prize.
I think it would be nice if you asked Teddy to include you in the story.. even if it's just as a minor character like a pizza delivery guy, for example. You'll have finally the chance to see your godess Claire xdOh, you're too kind, but we really shouldn't. we can't accept it. Although, it’s hard not to wonder if this award is actually for Claire.I’m a low-key fan of hers—if you can’t tell by my extreme subtlety.
I might have called her 'princess' a few times, but I’m sure nobody’s picked up on the hint yet, but let’s keep that our little secret.
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The way he drools over claire; I think he'd be a great furry if the series was a fantasy story.I think it would be nice if you asked Teddy to include you in the story.. even if it's just as a minor character like a pizza delivery guy, for example. You'll have finally the chance to see your godess Claire xd
Just upload your face photo here so Teddy can make a proper model for you in the story!
You mentioned that during the time you were using the 1:1 format, you weren’t responsible for rendering PigKing. That left me wondering: who was responsible for rendering works like Lost Family, Doctor Brandie, and Mosm’s Help during that period?One day I’m going to sneak him into Claire’s series, but I won’t say anything. I’ll just leave a hint. And I’ll hide a bear in the images—whoever finds all 5 bears wins a prize.
Man, we’re really taking this whole “publications will slow down” thing seriously, eh?
They needs to work on the stories that build the whole site instead of making cheap+annoying products every new weekend.With the old PigKing website design, the sales focus was on new episodes.
The homepage featured large banners for the five new episodes and production lines for future episodes.
Looking at the updated PigKing website design, I now see that the homepage features covers for a huge number of old episodes.
From this, I conclude that the sales focus is on the huge number of old episodes.
This doesn't make sense, since pirates will leak this episode into the public domain on the same day.They needs to work on the stories that build the whole site instead of making cheap+annoying products every new weekend.![]()
I agree with you on that. But I think you misunderstood my point. The new wacky stories also gets leaked so...This doesn't make sense, since pirates will leak this episode into the public domain on the same day.
I believe that, first and foremost, they need to improve the quality of their publications. Regarding Teddy, I have no complaints; he is a great renderer. The problem is Frank Romano. If his publications manage to reach the LGBTQIYZHJBRDHOJNDRSBKUYTTRDESGJJNBVVC audiences, that is fine, but when it comes to stories aimed at an adult audience, he gets completely lost.I think we should, yes....
I think a little differently...I agree with you on that. But I think you misunderstood my point. The new wacky stories also gets leaked so...
What I'm saying is that the eggheads needs to go back to the stories which made pigking/crazydad popular in the forst place and remain constant with those instead of making too many stories which causes writer’s block.
Hope you understand what I mean.![]()
It is undeniable that piracy represents a real problem, with sites illegally reselling content at low prices; this is a market fact. However, the central issue regarding PigKing lies in the technical quality of the renders, which fall far short of expectations. While interest in vintage stories is a matter of personal preference, the demand for high-level rendering is a critical point for the majority of fans.I think a little differently...
Pigking has been in the comics market for a long time and enjoys widespread recognition and popularity.
The problem is that it can't monetize this popularity due to pirates.
What's the point of popularity if it can't be monetized?
I see only two ways out of this impasse for Pigking.
1. Focus on a very narrow audience of fans to avoid attracting pirates to these stories.
Pirates are interested in stories that attract a wide audience to view and download them.
If such popular stories aren't on Pigking, pirates will eventually lose interest.
For me, the latest episodes of Hell Village – Maverick – were very illustrative of this.
I read several negative reviews about this story on the forum.
But on Pigking, I saw that this story has a significant number of likes from paid subscribers.
Frank Romano is searching for these narrow niches in an attempt to attract paid subscribers. His latest experiments with the new story, New World - Isekai, speak to this.
2. Attempt to capitalize on the over 1,500 episodes published on the Pigking website.
Sometimes, a single beautiful cover is enough to grab someone's attention and push the button to buy a subscription.
This was done in the new Pigking website design. A huge number of beautiful covers to tempt new subscribers.
Conclusion: This is very bad for us... We are no longer interested in old episodes because we've already seen them.
The number of new episodes for our favorite stories will be kept to a minimum.
These are just my thoughts.
The model of selling each episode individually was used on the old Pigking website.It is undeniable that piracy represents a real problem, with sites illegally reselling content at low prices; this is a market fact. However, the central issue regarding PigKing lies in the technical quality of the renders, which fall far short of expectations. While interest in vintage stories is a matter of personal preference, the demand for high-level rendering is a critical point for the majority of fans.
To professionalize the project and avoid friction, the ideal approach would be a change in the management model. One alternative would be charging per individual publication, where Frank Romano would set a unit price per episode. An even more strategic solution would be transforming PigKing into a collaborative platform: Frank Romano would act as an administrator, charging a percentage for other renderers to publish their works.
In this marketplace format, Teddy would have much more freedom to develop his work, and Juanito Brown could return with his own characters and original publications. With a structure where everyone manages their own production and the administrator provides the storefront, the focus would return to creation, eliminating unnecessary conflicts and raising the standard of what is delivered to the audience.
