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[Pigking/CrazyDad] Comics

Not in front of Teddy, @Rian !😅🫣 Not that it matters, but I doubt Teddy even takes me seriously anyway. 🥀Regardless, I’ll have Claire’s back from the sidelines. 😍😶‍🌫️ Over and out!
One day I’m going to sneak him into Claire’s series, but I won’t say anything. I’ll just leave a hint. And I’ll hide a bear in the images—whoever finds all 5 bears wins a prize.
 
One day I’m going to sneak him into Claire’s series, but I won’t say anything. I’ll just leave a hint. And I’ll hide a bear in the images—whoever finds all 5 bears wins a prize.
Oh, you're too kind, but we really shouldn't. we can't accept it. Although, it’s hard not to wonder if this award is actually for Claire.🥴❤️ I’m a low-key fan of hers—if you can’t tell by my extreme subtlety.😏😂 I might have called her 'princess' a few times, but I’m sure nobody’s picked up on the hint yet, but let’s keep that our little secret. 🤫😆
 
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I wonder if Frank Romano suffers from some kind of cognitive deficiency. The guy showed only two explicit sex scenes within a 102-page context. Not satisfied, he is now more concerned with onomatopoeic words. The new trend isn't the story or the render showing the interaction of the characters in the relationship anymore; if the intention is to make the reader choke the goose (poor guy) in a five-to-one ratio, he is failing miserably.

Now he is in love with onomatopoeic stickers with drawn words. When is this idiot going to understand that less is more? If the render doesn't speak for itself, it won't be onomatopoeic words that will add anything. If this content is aimed at a heterosexual audience, he blew it; it turned into shit. I really do not like Frank Romano's work.

Juanito Brown, even with all his hardware deficiencies, manages to develop a much better job than this garbage that Frank produces. I truly don't know what Frank Romano's problem is; the guy depends on subscription sales and keeps producing this senseless crap. I'll give him some advice—because if advice were good, you wouldn't give it away, you'd sell it—but here it goes: Frank Romano, just make stories for the LGBTQIYZHJBRDHOJNDRSBKUYTTRDESGJJNBVVC audience and forget about us. We, heterosexuals, do not like this garbage you produce.
 
Oh, you're too kind, but we really shouldn't. we can't accept it. Although, it’s hard not to wonder if this award is actually for Claire.🥴❤️ I’m a low-key fan of hers—if you can’t tell by my extreme subtlety.😏😂 I might have called her 'princess' a few times, but I’m sure nobody’s picked up on the hint yet, but let’s keep that our little secret. 🤫😆
I think it would be nice if you asked Teddy to include you in the story.. even if it's just as a minor character like a pizza delivery guy, for example. You'll have finally the chance to see your godess Claire xd

Just upload your face photo here so Teddy can make a proper model for you in the story!
 
I think it would be nice if you asked Teddy to include you in the story.. even if it's just as a minor character like a pizza delivery guy, for example. You'll have finally the chance to see your godess Claire xd

Just upload your face photo here so Teddy can make a proper model for you in the story!
The way he drools over claire; I think he'd be a great furry if the series was a fantasy story.
But since it's a real world setting; I think him being a local crook would be the best.😂😆🤣
 
One day I’m going to sneak him into Claire’s series, but I won’t say anything. I’ll just leave a hint. And I’ll hide a bear in the images—whoever finds all 5 bears wins a prize.
You mentioned that during the time you were using the 1:1 format, you weren’t responsible for rendering PigKing. That left me wondering: who was responsible for rendering works like Lost Family, Doctor Brandie, and Mosm’s Help during that period?
 
With the old PigKing website design, the sales focus was on new episodes.
The homepage featured large banners for the five new episodes and production lines for future episodes.
Looking at the updated PigKing website design, I now see that the homepage features covers for a huge number of old episodes.
From this, I conclude that the sales focus is on the huge number of old episodes.
 
With the old PigKing website design, the sales focus was on new episodes.
The homepage featured large banners for the five new episodes and production lines for future episodes.
Looking at the updated PigKing website design, I now see that the homepage features covers for a huge number of old episodes.
From this, I conclude that the sales focus is on the huge number of old episodes.
They needs to work on the stories that build the whole site instead of making cheap+annoying products every new weekend.😮‍💨
 
This doesn't make sense, since pirates will leak this episode into the public domain on the same day.
I agree with you on that. But I think you misunderstood my point. The new wacky stories also gets leaked so...
What I'm saying is that the eggheads needs to go back to the stories which made pigking/crazydad popular in the first place and remain constant with those instead of making too many stories which causes writer’s block.
Hope you understand what I mean.👍🏼
 
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I think we should, yes....
I believe that, first and foremost, they need to improve the quality of their publications. Regarding Teddy, I have no complaints; he is a great renderer. The problem is Frank Romano. If his publications manage to reach the LGBTQIYZHJBRDHOJNDRSBKUYTTRDESGJJNBVVC audiences, that is fine, but when it comes to stories aimed at an adult audience, he gets completely lost.

He does not create stories focused on the characters; his stories are disposable, they have no plot, and no world-building. His characters do not interact; it is just the easy way out—in other words, what he creates is garbage. There is nothing erotic about his stories, in addition to the format problems. Does he not know how to render? I say he does. His problem is mental. There is a need for him to redo his context. He renders ugly, hideous women and weird men; unlike Teddy and Juanito Brown, who build voluptuous characters, full of curves, with large, firm breasts and enormous sex appeal, Frank wants to create dull characters.

Now, his trans characters are full of eroticism and are beautiful; it is clear to see how Frank Romano views life. He wants to impose his worldview, and that is the problem. In Skylar, for example, the first and second stories were interesting, but the character could have been exuberant with large breasts; instead, he put in a thin woman, totally dull for the PigKing style of exuberant women. He has all the tools to please the hetero audience, but as long as he insists on imposing his worldview, he will continue to waste time creating stories without logic, without causality, and without depth.

Another thing that should have been addressed by now is the characters' children, who should have reached adulthood. Are they going to remain teenagers for the rest of their lives? Added to the script problems, the technical issue of the format has become the biggest obstacle to the studio's quality. It is fundamental to understand that PigKing's fame and financial success were built on the 1:1 format. This framing was not just an aesthetic choice, but a technical necessity that forced an absolute focus on the character, guaranteeing magnificent skin textures, deep expressions, and an immersion that the 16:9 format simply dilutes into irrelevant landscapes.

The drop in revenue and the departure of supporters are direct reflections of this loss of visual identity. The widescreen format brought beautiful scenery, but it left the characters looking like "porcelain dolls" and lifeless. To keep current supporters and bring back those who left, the studio needs to rescue the technical excellence that established it. Returning to the 1:1 format, using current tools and plugins, is the only viable strategy to recover the absolute visual quality and the prestige that PigKing is letting slip away. It is not just about aesthetics; it is about respecting the essence that the fans finance and expect to see.
 
I agree with you on that. But I think you misunderstood my point. The new wacky stories also gets leaked so...
What I'm saying is that the eggheads needs to go back to the stories which made pigking/crazydad popular in the forst place and remain constant with those instead of making too many stories which causes writer’s block.
Hope you understand what I mean.👍🏼
I think a little differently...
Pigking has been in the comics market for a long time and enjoys widespread recognition and popularity.
The problem is that it can't monetize this popularity due to pirates.
What's the point of popularity if it can't be monetized?
I see only two ways out of this impasse for Pigking.
1. Focus on a very narrow audience of fans to avoid attracting pirates to these stories.
Pirates are interested in stories that attract a wide audience to view and download them.
If such popular stories aren't on Pigking, pirates will eventually lose interest.
For me, the latest episodes of Hell Village – Maverick – were very illustrative of this.
I read several negative reviews about this story on the forum.
But on Pigking, I saw that this story has a significant number of likes from paid subscribers.
Frank Romano is searching for these narrow niches in an attempt to attract paid subscribers. His latest experiments with the new story, New World - Isekai, speak to this.

2. Attempt to capitalize on the over 1,500 episodes published on the Pigking website.
Sometimes, a single beautiful cover is enough to grab someone's attention and push the button to buy a subscription.
This was done in the new Pigking website design. A huge number of beautiful covers to tempt new subscribers.

Conclusion: This is very bad for us... We are no longer interested in old episodes because we've already seen them.
The number of new episodes for our favorite stories will be kept to a minimum.
These are just my thoughts.
 
I think a little differently...
Pigking has been in the comics market for a long time and enjoys widespread recognition and popularity.
The problem is that it can't monetize this popularity due to pirates.
What's the point of popularity if it can't be monetized?
I see only two ways out of this impasse for Pigking.
1. Focus on a very narrow audience of fans to avoid attracting pirates to these stories.
Pirates are interested in stories that attract a wide audience to view and download them.
If such popular stories aren't on Pigking, pirates will eventually lose interest.
For me, the latest episodes of Hell Village – Maverick – were very illustrative of this.
I read several negative reviews about this story on the forum.
But on Pigking, I saw that this story has a significant number of likes from paid subscribers.
Frank Romano is searching for these narrow niches in an attempt to attract paid subscribers. His latest experiments with the new story, New World - Isekai, speak to this.

2. Attempt to capitalize on the over 1,500 episodes published on the Pigking website.
Sometimes, a single beautiful cover is enough to grab someone's attention and push the button to buy a subscription.
This was done in the new Pigking website design. A huge number of beautiful covers to tempt new subscribers.

Conclusion: This is very bad for us... We are no longer interested in old episodes because we've already seen them.
The number of new episodes for our favorite stories will be kept to a minimum.
These are just my thoughts.
It is undeniable that piracy represents a real problem, with sites illegally reselling content at low prices; this is a market fact. However, the central issue regarding PigKing lies in the technical quality of the renders, which fall far short of expectations. While interest in vintage stories is a matter of personal preference, the demand for high-level rendering is a critical point for the majority of fans.

To professionalize the project and avoid friction, the ideal approach would be a change in the management model. One alternative would be charging per individual publication, where Frank Romano would set a unit price per episode. An even more strategic solution would be transforming PigKing into a collaborative platform: Frank Romano would act as an administrator, charging a percentage for other renderers to publish their works.

In this marketplace format, Teddy would have much more freedom to develop his work, and Juanito Brown could return with his own characters and original publications. With a structure where everyone manages their own production and the administrator provides the storefront, the focus would return to creation, eliminating unnecessary conflicts and raising the standard of what is delivered to the audience.
 
It is undeniable that piracy represents a real problem, with sites illegally reselling content at low prices; this is a market fact. However, the central issue regarding PigKing lies in the technical quality of the renders, which fall far short of expectations. While interest in vintage stories is a matter of personal preference, the demand for high-level rendering is a critical point for the majority of fans.

To professionalize the project and avoid friction, the ideal approach would be a change in the management model. One alternative would be charging per individual publication, where Frank Romano would set a unit price per episode. An even more strategic solution would be transforming PigKing into a collaborative platform: Frank Romano would act as an administrator, charging a percentage for other renderers to publish their works.

In this marketplace format, Teddy would have much more freedom to develop his work, and Juanito Brown could return with his own characters and original publications. With a structure where everyone manages their own production and the administrator provides the storefront, the focus would return to creation, eliminating unnecessary conflicts and raising the standard of what is delivered to the audience.
The model of selling each episode individually was used on the old Pigking website.
That model died. I don't know the exact reasons. Probably censorship issues.

Lost Family - Page 03_New.jpg
 

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