Outside in the street stands a man I havenāt seen for a while.
āMuscle. What a lovely surprise,ā I say sarcastically. He smiles. Appraises me as always. Shakes my hand. āWhat brings you to the Adriatic?ā
"Your father sent me."
That lands the way it's meant to. I keep my face neutral.
āI donāt recall having a father. Not since a certain plane ride.ā
Muscle glances toward the entrance of the police station, then back. Old habit. Checking exits.
"He heard about Igor."
"News travels.ā
"To London it does, yeah." He tilts his head slightly. "He wants you back. Wants a meeting."
I study him. Muscleāhis real name is Paul, but nobody calls him that, not even his mother probablyāis six foot three of quiet touchy-feely competence. He's been my father's since before I was old enough to know what my father was. He has a face that doesn't give much away and hands that could close around a man's throat without the rest of him appearing to notice.
"He could have called," I say.
Muscle blinks.
"My father. He has my number. He's had it for fifteen years." I look at him steadily. "He could have sent an email. A text. A fucking pigeon. Something that didn't require putting you on a plane."
Muscle has the grace not to argue with that.
"He wanted me to see for myself," he says. "That you were alright."
"And?"
"You look alright." He looks me up and down. Always the possibility of a double entendre with Muscle.
I shift my weight to my other foot. The sun is doing something aggressive above the roofline and I'm tired in a way that has nothing to do with sleep. "Tell him I'll be in touch when things are settled here."
"He won't like that."
"No," I agree. "He won't."
Muscle watches me with that careful, patient expression he's had since I was twelve years old and already difficult. Itās different to the way heās looked at me since I grew a body. He's weighing something. Deciding how much to push.
My phone buzzes in my bag. I pull it out.
A text from Miriam. Two words: āAll signed.ā
I send one back: āSo, later this afternoon?ā
She texts back: ā5.30.ā | "Igor's a vegetable," I say, before he can. "His life support will be withdrawn today at 5.30. Which means by tonight this operation is mine. The whole thing. Ports, routes, the compound, the island, the people." I pause. "All of it."
Something moves across his face. Not surprise exactly. More like confirmation of something he'd already suspected and hadn't wanted confirmed.
āWhat about Warren?ā he asks.
āNot interested,ā I answer without the requisite conviction. He detects it.
āBullshit.ā
āThought youād say that, but heās signed a document. Witnessed. Miriam was there, with a thousand lawyers.ā
āMaybe, but heās following you. Or having you followed. Someone mustāve talked him out of walking away.ā
āSo last nightāā
āWasnāt Franjo.ā He says it like heās been waiting to. āWrong angle. Wrong calibre. Franjo uses a Dragunov. Last night was a .308, probably a Remington 700. Professional kit.ā
My blood goes cold. The pieces click into place with sickening clarity. Warrenās having me followed. Changed his mind. Decided he wants the lot and found someone very handy with a rifle.
My mind races through the implications. Mila in that cell, terrified and telling the truth. Franjo with his āfucky-fuckyā threats but no actual trigger pull. And somewhere out there, someone with real training and real intent who barely missed.
āThereās more,ā Muscle says. He pulls out his phone, shows me a photo. Itās grainy, taken from distance, but I recognise the locationāthe cafĆ© where I met Miriam yesterday. In the background, barely visible, a figure in dark clothing. Male, older, watching. āThis was twenty minutes before you arrived.ā
I study the image. Something about the posture, the way he holds himself.
āThe man from last night,ā I breathe. āThe one who grabbed me on the street.ā
Muscleās eyebrows go up fractionally. āSomeone grabbed you?ā
āSaid heād been watching me. I screamed, drew a crowd, he backed off.ā
I watch Muscleās face shift, processing this information. The way his jaw tightens tells me heās recalculating something.
āDescription?ā
āFifty-something. Grey at the temples. Moved like ex-military. ā I pause. āCroatian accent but spoke perfect English. And a metal claw for a left hand.
Donāt ever get one of those wrapped around a nipple.ā
Muscle nods slowly and lets out a small breath through his noseāhis version of a laugh.
āThatās at least four separate surveillance operations on you. Five if you count the cameras in your room.ā
The number hangs between us. I feel something shift in my chestānot fear exactly, but a cold understanding. Iāve been walking through Split and Trogir playing the chess queen when really Iāve been the pawn.
āJesus,ā I mutter.
āYou need protection,ā Muscle says. Not suggesting. Stating. And you need to dress more conservatively.ā He looks me up and down.
āI need my own people.ā The words come out before Iāve fully thought them through, but once theyāre out, I know theyāre right. āNot borrowed from my father. Not inherited from Igor. Mine.ā
He studies me with something that might be approval. Or respect. Itās hard to tell with Muscleāhis face doesnāt advertise much.
āSmart,ā he says simply.
āI want women,ā I continue, the idea crystallising as I speak. āEx-military, ex-police, I donāt care. But women. They see things men miss. They can go places men canāt without raising flags.ā
Muscleās eyebrows lift slightly. āThatās...actually great.ā
āDonāt sound so surprised.ā
āIām not. Your father will be.ā
āMy father canāā I stop myself. Take a breath. āMy father will adapt.ā
A ghost of a smile crosses Muscleās face. Itās gone before I can be sure I saw it.
āI know someone,ā he says. āBelfast. Ex Royal Ulster Constabulary. Undercover.ā
āTheyāve got to be good, not just competent but actually good. Discreet. Doesn't need explaining things twice and doesn't get impressed by rooms full of men who think they're frightening. And I need to be able to get on with them.ā
He's quiet for a moment. The sun hammers down on the concrete. A police car rolls past without urgency.
"So sheāll live on the Island compound. Some movement between here and Dubrovnik. Possibly London.ā
"Yes. And someone who can run a security detail without making it look like one. Someone who blends. Doesnāt wear black and walk around in jackboots with curly cords coming out of their ears."
He smiles again. Pulls out his phone. Scrolls. Stops. "Been freelance since she got out of Belfast three years go. I used her in Amsterdam in '23. She'sā" he pauses, choosing the word carefully, "āeconomical."
"Meaning?"
"No waste. No noise. She solves the problem and you don't hear about it afterward."
"Can you reach her today?"
"I can try."
"Try hard." I start toward the car. "And Muscle." He turns.
"Thank you," I say. "For coming yourself. Are you around for a couple of days?"
He doesn't answer that. Just nods once, slow, and walks back towards a rental car that's too white. I watch him go. There's something almost paternal in the way he moves, and I have complicated feelings about that which I do not examine in a police station car park in thirty-degree heat. |
Miriam is leaning against the Mercedes when I reach it. She looks like a woman waiting for a movie star husband, not someone who just signed paperwork transferring the operational assets of a dead man's criminal empire into my name.
"How is Mila?"
"Thin. Franjo has been hitting her."
"Franjo?" Sheās not surprised.
"Yes."
I get in. She starts the engine and we pull out into the traffic and neither of us says anything for a while. The city moves past the window. A market. Two tourists with the wrong shoes. A priest.
"The man outside," Miriam says. "Who was that?"
"My father's person. We call him Muscle."
She doesn't push it. She knows when a subject has a door on it. | My phone rings. Unknown number. I almost don't answer. Then I do.
"Gabriella." A voice I haven't heard since my last wedding. Still the same register. Low. Careful. English with the edges worn off by forty years of moving between cities.
My father.
āGabriella,ā he says. āI hear youāve been busy.ā
The traffic crawls past a construction site. Miriam shifts gears with unnecessary force. I can feel her tension from here.
āA little. What can I do for you?ā
āWarrenās been making calls.ā
āI know. Heās having me followed, like half of fucking Split.ā
āHe and some others loyal to Igor think the succession should stay in the bloodline.ā
āHe canāt seriously thinkāā
āHe can and he does.ā Another pause. āHence the bullet.ā
āWarren? But only days ago, he signed a legal document absolving himself of anything to do with the business. Witnessed, the lot. Miriam held his hand.ā
The car lurches slightly as Miriam takes a corner too fast. Sheās listening. Of course sheās listening. Itās hands-free, idiot.
āWell, he hasnāt gone back to Dubrovnik yet. Holed up at the Cornaro.ā
While Iāve been signing papers, bullshitting Igor and fucking bartenders, Warrenās been hanging around here changing his mind. Watching. Planning. Being sucked in.
āI need you to come home,ā my father says. āNow. Today.ā
So touching, coming from a man who once tipped one of his sons out of a helicopter into an active volcano.
āNo,ā I say flatly. āAs of 5:30 this afternoon, when they switch off Igorās machines, Iām running an empire worth several billion euros. If youāre so concerned about my welfare, you can get on a plane and come here.ā
The silence stretches. I can hear him breathing. Calculating.
āYouāre not equippedāā
āIām more equipped than the vegetable currently occupying the throne.ā I lean back in the seat, watching Split blur past. āIāve got the papers signed. The accounts transferred. The captains already know.ā
āThe captains know because Warren told them,ā he says, voice sharp now. āAnd half of them think he should take over. They know heās a pushover.ā
āThen half of them are about to be disappointed. Warren has my phone number, and Iām happy to chat if he wants to negotiate. So far the gutless little runt has blocked my calls and wonāt call me back.ā
Miriam takes another corner too fast. Her knuckles are white on the steering wheel.
āThis isnāt a game, Gabriella.ā
āNo,ā I agree. āItās not. Which is why Iām not running home to daddy. I stand my ground here, now, or I lose everything before Iāve even started.ā |