the problem with a lot of TG artist/storymakers in the modern Patreon era, is they start with an Idea and a generalised end point and just wing most of what's inbetween those points, more oftern than not they do whatever takes their fancy which sometimes leaves them in a place where they have to force the story back towards the conclusion, or they drag things out too long and hurriedly wrap things up. what this also means is character behaviours can switch up in a flash as the author has no real nailed down scrip and the characters just serve as tools to progress said story along.
LittletgKitten's works are most coherent when following other people's scripts, for instabce: in Fateful Vacation it's obvious Liltkit was plodding along and tried to extend the story rather than wrapping it up by introducing the brother out of the blue to start the feminisation arc all over again, and then backed out and rushed the secret lost girlfriend who was there all along.
now compare that to Switching Gears to Dresses and Heels, as much as i hated the themes in the story it had a coherent Start, Middle, and End.
the difference between the two is fateful vacation was wholy Liltkif's story and direction, while Switching Gears to Dresses and Heels was basically scripted by TG author KK.
heck my main gripe about 'Like Father, like Daughter' is the impetus for the journey into femininity the daughter the father was changing for is completely absent from the story, it's obvious thatLiltkit forgot what the premise was, as it wasn't really important to them other than facilitating the feminisation and got lost in the generation of feminisation imagery.