Daneille85
Otaku Girl
That's one of the reasons, I don't like her stories. Forced Identity death on innocent people is disgusting. It's like watching a show where the villain always wins.
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[Melissa N.] Collection
- Thread starter alienhead
- Start date
- 3dcg
- age-progression
- feminization transformation
Just Another User
Member
This series wouldāve been better served if it kept the focus on the main couple, and the discovery of their kinks. Instead itās bending itself out of shape to go through the motions of every Melissa short story.
dsfghsdghskdghskhg
New member
The funny thing is that the writer could have told the story and depicted the transformations just fine without having to show those drawn-out scenes of the protagonist at work (for example, showing him trying to dress and act more "masculine" before heading to work, then showing him having been transformed into a secretary when he gets home and talking to his wife, thus removing all the scenes away from the couple).
But it seems that Melissa is no longer able to condense her stories, and the longer they go on, the slower they become.
For those who have forgotten, she held a poll where subscribers had to choose between the following options for her new story after the end of mirror (lol):
- A new illustrated book story (like *Job for a Milf*)
- Short panel stories (like her early works, 8ā16 panels)
- Long panel stories (150ā200 panels each).
It was the last option that won the day and gave rise to āBestie in the Makingā, which already has... 237 panels, and it seems the main character is still a long way from completing her transformation into the ultimate bimbo.
Nuvolari
Active member
Here's where I go a bit pedantic and complain about the usage of "identity death." Nobody actually died, the victims in (most of) Melissa's stories still remember their previous lives. "Identity death" for me implies that the previous identity has been erased, nothing of it remains. I prefer to call what happens here "identity loss."
Anna Shapard
Member
On the contrary, "identity death" is perfectly legitimate here! If absolutely nothing remains of the previous personality: likes, dislikes, sexual preferences, intelligence, and/or if he/she no longer even knows that he/she was once a man, one can very well speak of the death of the personality, and thus also of the death of the person!:/
When someone is diagnosed as brain dead after a car accident, all that remains is an empty shell that is kept alive artificially!
So, to make a long story short, Ian is clinically brain dead! Only Bella remains, a completely new (unnecessary) artificial personality, with about as much independence as a wind-up doll!
and i'm SICK of this Trope!
Kobboldpot
Member
Well, that's also something to think about.
- We ALREADY know what's going to happen from the very first frame. That same man from the first panel will become the full-lipped blonde. Well, there are still some options with the blonde, but overall, the situation is clear. And if it's clear, then what's the point of stretching the story out over 200+ panels when everything is already crystal clear in 8-20 images? We saw the first stage, we saw the last, and we're satisfied.
- Such lengths would make sense if the story had "What a twist" moments, with the revelation of some secret plans, love triangles, difficult decisions, and all that. But we have 20 frames of the dress from all angles, 20 frames of hair curling and highlighting, two shots of sitting in the office, two shots of hanging out at the gym. And almost every shot is replaced by ONE single panel expositing the situation and stage.
- And all these shots are filled with cringe-worthy dialogue like, 'You have no choice but to put on stockings and makeup,' 'Oh my god! How did I get such huge breasts?'" and "Did I just start sucking this guy's dick?! What's happening to me?" The sheer number of shots not only fails to enhance the immersion, but actually detracts from it.
- Especially considering that in these stories, the actual feminization begins and ends with a trip to the cosmetologist. The characters suddenly start acting mega-feminine, the guys start to like them, they start sucking like the best prostitutes, and everything fits them perfectly. Hell, not even all girls manage to master this art. Trans people who WANT to be feminine consciously practice it. And here, forced and coerced, a sex bomb immediately blossoms. Where are all these cringe-worthy conversations about inappropriate topics, the rude tone and harshness, the awkward gait, the complaints about corsets and heels?
The result is a paradox. The more the authors try to delve into the subject by stretching out the scenes, the worse they generally get.
So, if we all came to watch a brutal murder of a personality, and the author knows what will happen in the story, and the reader knows what will happen in the story, why all this "What choice will he make?", "Will he be able to get out of this situation?"? No, he won't be able to, no, it will end with some alpha male fucking him in the ass. This applies, by the way, not only to feminization, but also to bimbos and BDSM and everything else. And trying to play with these themes "in detail" undermines the main idea for which the story beginsāto see an independent person die, becoming a weak-willed object of sexual gratification.
No, of course the stories could have been about something else and deeper, but who needs that?
Coracal422
Member
Yeah, in MILF for a job and A proper fiancee there were exposition of motives at the very least.
bfish
New member
I don't know what all the complaints are about. It's a great story. I like upbeat endings. I can't believe anyone who seeks out tg transformation stories who could look like that would resist the "lure of femininity" permanently. The last panel of this "the farm" excerpt sums it up for me... I'd never go back!
santo
New member
Do you have latest manaomega releases
transmorpho
Member
Ćs vezes, um final feliz nĆ£o Ć© uma resposta para tudo, especialmente quando o personagem acaba aceitando o destino escolhido por outra pessoa, porque isso demonstra que ele perdeu a batalha que lhe foi imposta na histĆ³ria. Quero ver uma histĆ³ria em que o personagem lute e venƧa, escolhendo seu prĆ³prio caminho. Agora, vamos nos concentrar na ĆŖnfase das histĆ³rias de feminizaĆ§Ć£o forƧada. Nesse caso, temos duas personagens: aquela que serĆ” feminizada e aquela que feminizarĆ” ā dois destinos diferentes. Mas quando lemos "feminizaĆ§Ć£o forƧada", a ĆŖnfase da histĆ³ria Ć© no personagem que estĆ” sendo feminizado ou naquela Ć©poca que feminizarĆ”. Ć raro encontrar um autor de feminizaĆ§Ć£o forƧado que se concentre no personagem feminizado; a maioria se concentra no personagem que Ć© feminino. E entre todas as histĆ³rias de Melissa ā e sĆ£o muitas, embora todas pareƧam iguais, apenas o estilo muda ā no inĆcio, ela tambĆ©m favoreceu o personagem feminizado, mas depois passou a favorecer apenas o feminizador, e suas histĆ³rias tiveram o olhar repetitivo.
torvenus
Active member
What is this from and who wrote it?
mntna
Active member
Manaomega
this isn't the place to discuss other authors/artists but only Melissa N
Anna Shapard
Member
transmorpho
Member
Sim, este Ć© um espaƧo para discutir as histĆ³rias de Melissa, tanto crĆticas quanto elogiosas, mas tambĆ©m para comparar suas histĆ³rias com as de outros artistas.
snow10
New member
that is last month's password. no one has posted this month's password yet.
pandolfoj3
Active member
if anyone wants animated images of the comic send me DM
gray
Member
Which one?
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