Kobboldpot
Member
Heh-heh, classic.
A key frame with lines from literally every TG story.
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[Melissa N.] Collection
- Thread starter alienhead
- Start date
- 3dcg
- age-progression
- feminization transformation
A key frame with lines from literally every TG story.
mntna
Active member
this is gonna be awkward
i don't trust Minji smile in the last image, she has something embarrassing for Minah, like trying to flirt or flirt back to the photographer
Coracal422
Member
I don't think even Melissa knows why the wife did what she did. It's only a poor excuse to make another feminization story without any weight behind it, but we'll, it is a porn fetishy story, doesn't really need it. (Though I'd appreciate if it did)
Vroomvroom
New member
Don't worry all Melissa has to do is throw in towards the end despite it having never been mentioned before that the husband was actually cheating on her with one of the other office secretary bimbos so as revenge she turned him into a bimbo secretary
dsfghsdghskdghskhg
New member
Just saw the new chapter following the last image. I was hoping that Melissa would continue to use new hairstyles as she did previously in this story but the makeover end with the same hairstyle she has used 10x times already in multiple stories, long platinum hair on one side :/ idk why she keep using this one over and over again ..."A Bestie in the Making". 201-219 if you missed a post, I can't figure it out his wife's intention (I hope this story ends soon not like Aphrodite's Mirror which I hope to be alive to read the end)
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grimbo
New member
Well, you have a fair way to go, from the progress so far.
He is still in the cross dressing stage - the beginning of forced conversion.
As of this time he has not taken any hormone treatment, he has not developed any breast tissue (the ones he has are still attached fakes) and has undergone no enhancements at all, not even facial resculpting. he is still at the point of "I look like a female, but I am a man." He still hasn't reached the "Oh, I shouldn't be kissing a man, does this make me Gay, but I like it." point, though I think that will happen in the next episodes
His voice, while imitating female is still a fake forced thing, not anything surgically required.
There is no piercing or tattoos (a usual addition to storylines such as this)
So we have yet to see - facial reconstruction, HRT, breast development, implants, tattoos, piercings, love interest, etc.
Buckle yourself in for the ride, it looks to be a long one
He is still in the cross dressing stage - the beginning of forced conversion.
As of this time he has not taken any hormone treatment, he has not developed any breast tissue (the ones he has are still attached fakes) and has undergone no enhancements at all, not even facial resculpting. he is still at the point of "I look like a female, but I am a man." He still hasn't reached the "Oh, I shouldn't be kissing a man, does this make me Gay, but I like it." point, though I think that will happen in the next episodes
His voice, while imitating female is still a fake forced thing, not anything surgically required.
There is no piercing or tattoos (a usual addition to storylines such as this)
So we have yet to see - facial reconstruction, HRT, breast development, implants, tattoos, piercings, love interest, etc.
Buckle yourself in for the ride, it looks to be a long one
Last edited:
ricardoricardes
Active member
A Bestie in the Making 31
Nippur
Well-known member
This is like a complot that involves Amy (his wife), Zoe and Emily, you may think his wife is lesbian and wants to get rid of him, but why the feminization? I don't get the direction of the story.
Just Another User
Member
I know that Melissa loves this hairstyle (it already appeared in the SPP books she wrote before she started doing her own illustrations), but she really gotta mix it up at some point.
Kobboldpot
Member
In my fanfic, the relationship dynamics and plot are as follows:
- Sarah comes from a family of conservative financiers. She was very irresponsible about her studies, attending only to get her parents to leave her alone because she was supposedly studying. But she spent most of her time, of course, at clubs and parties, where she made some dubious connections â a sort of P. Diddy equivalent.
- She wasn't in a real relationship with her "roommate," of course. It wasn't exactly friend-zoned, but rather used him as a way to cover for her studies and generally hang around with her for little things. He himself, of course, didn't understand the whole situation and, being in love with her, thought they were in a relationship.
- At some point, Sarah learns that her (her parents') credit cards have been blocked. The thing is, her family found out about her lifestyle and her connections, and a scandal ensued. And now, potentially, the family's business and finances are transferred solely to her brother. We'll keep the theme of the girl's jealousy of her brother, who gets everything in life.
- After Sarah's hysteria, she comes up with a plan in which she will take advantage of Daniel. The beginning of the scam is roughly the same, but with some caveats. Yes, she also says she's been lying all this time, that she wasn't in a relationship and was living with a neighbor, and she downplays the scandal by saying only that her parents aren't happy with her club life and now she needs to come home and impress them. And no, she won't be able to persuade a random friend, because they'll find out about her, since "Di" will have to talk about her life and studies at university, and that Sarah is a diligent student.
- The essence of the plan is to, in collusion with her new connections, use drugs to destroy the guy's personality, turning him into a dependent and controllable zombie, and then plant him as a target for her brother. And then she can frame him, tarnishing his reputation in the eyes of his conservative parents by claiming he's dating a trans person, or use this to blackmail him, and, ultimately, regain access to the family finances. Her club friends help with the right chemistry, counting on a certain percentage of these funds. Why not simply persuade such a trans person to seduce her brother? It's a question of loyalty. Sarah doesn't have suitable friends she could control and trust, and with whom she could be sure that information wouldn't leak.
- Di obediently follows orders, in a kind of "limbo" of confused thoughts, unable to concentrate on the situation. For example: She goes to the club, only two thoughts running through her head: "Dance for Sarah's brother, because that's the plan" and "Make sure to give him a blow job in the bathroom, because no one likes girls who don't give blow jobs in the bathroom." Instead of a dim-witted rich kid, we transform her brother into a decent and collected person (and this explains why he's the family favorite). But the farce goes too far, and the brother takes Dee's attention too seriously, and Sarah loses control of the situation when they decide to have some privacy. It's then that it's revealed that she's in a trance, and Dee, high on drugs, doesn't realize anything is wrong. But the brother also realizes that something is wrong with Dee, and she's not completely drunk. And during the conversation, his sister's plan becomes clear.
- Steve and Dee get along, and he, under the guise of "traveling" and "long dates," helps our heroine come to her senses a little (though we understand that his brain is likely irreversibly damaged and his memory will never be fully restored). They're already preparing their own counterplan to put his sister and her suppliers away, exposing this network of poisoners who are soliciting prostitution. Apparently, in the process, their relationship strengthens, going beyond "chick giving head to a strong guy." Maybe after a few beers and listening to some decent music, Steve succumbs to the experiment.
I'd leave the ending to the reader's discretion: will Steve and Dee's relationship survive? Will Dee want to return to her old life, and what role will she choose to maintain?
Coracal422
Member
Kobboldpot
Member
This is a type of implant that can be injected with saline solution through an IV to create a very impressive round shape.Nice, some plot at last.
Ps. Why is the IV going to her boob?
Kobboldpot
Member
Continuing my philosophical explorations.
If you think about it... We're fascinated by scary things: kidnappings with unlawful, violent detention, sometimes torture, drugging and prescription drugs (sometimes forcibly, sometimes secretly), forced prostitution, rape, document and identity forgery. And that's not to mention the very root of the genre: psychological violence.
I asked myself: Why do we like this and why do we get aroused by it? (Further, I will, of course, argue from a dominant position.) I think the root is the same as with exploitation horror. As they said in Dune: "What you can destroy, you control." Seeing the suffering and destruction of others, while remaining safe ourselves, gives us a satisfying sense of being "real": This loser lacks the will to resist, loses his personality, loses his identity, loses his power, loses his male (and often human) rights, ceases to be a person, loses the right to make decisions and becomes whoever they're told to be, loses the male right and male power to be dominant and an actor in relationships, in sex, and becomes a sex object, often a toy for satisfying someone else's desiresâand this is what "We" do to him as the viewer of the work. This means "We" are real, genuine, possessing rights, the right to personality, the right to be ourselves. And since everything is known through comparison, this feeling requires an object for this breakdown.
Approximately the same logic applies to all these fetishes about slaves, bimbofication, PetPlay with dogs and ponies. The final point of transformation is always a powerless object, not a human being. And that's why stories about feminization choose the theme of becoming a womanâthat is, the complete opposite, turning every aspect of one's being inside out, leading to the complete murder of one's personality. Yes, it is murder, just like in horror films.
It should be noted here that we certainly don't consider "all women not human," for the victims of the stories are transformed into a certain type of womanâstupid, weak-willed, deliberately powerless (Melissa masterfully emphasizes this with those deliberately large and heavy earrings, the huge number of bracelets on long nails, high heels, everything that limits activity and the ability to act), weak-willed, melting in the hands of others and begging to be used. Incidentally, similar metamorphoses occur in the fetish twin of feminization, but in relation to womenâBimbofication.
Simply put, it is self-affirmation at the expense of the suffering and death (of the person) of another. Only this fetish is freed from the filthy physical cruelty and is characteristic of those who abhor direct violence, as it is a moral line that should not be crossed.
And I want to say that this is all a not fairly recent invention, and our times are not as corrupt as one might think. In fact, this is a constant theme in classical literature. Since the 19th century, precisely the same psychological mechanisms, precisely for the same purpose of "feeling real," have been used in all those novellas about illnesses, where the victim gradually fades away, usually from tuberculosis; about madness, where we witness the decline and destruction of the personality; and even all those stories about the transformation of a monster, where all humanity is washed out of a person. Only now this is considered the standard of literature and is taught in schools and universities. So, for me, gender games with a focus on sex (and usually accepting your role and enjoying it) will actually be better if the mind requires such a release.
Kobboldpot
Member
So, based on my speculations, the plot I proposed won't work...
Compare the plots and their effects for yourself:
- My fanfic: The hero hits rock bottom, losing control of his body, his mind, and his destiny, ending up in the body of a mindless blowjob doll. But thanks to a good man, he regains a shadow of his personality, finds a purpose, and takes revenge (not a very cruel one), ending up as a dimwitted rock chick with a reliable, loving boyfriend who owns a trust fund.
- Original plot: The hero is transformed into an anal whore in the hands of a lustful, spoiled rich kid and is forced to watch like a cuckold as his girlfriend begins dating a real man before his very eyes, something he couldn't become by sucking cocks and losing everything he loved and valued in life.
Based on the aforementioned philosophical concept, the original version delivers a much more brutal and cynical mental murder, leaving behind that perverse satisfaction from the personal destruction. For this same reason, authors can spend years crafting plots like "I found dirt on you â put on some stockings," or "I accidentally mistook your gender on your profile â let's go get breast augmentation," or "I downloaded an app that magically turns you into a whore," and, in fact, earn subscriptions for it.
Of course, audiences have been increasingly complaining about the plot lately, but they haven't abandoned their support for the author, as the thrill of personal destruction is the main and dominant ingredient. A bad plot can spoil the flavor, but a truly great and cool plot can't replace the moment of catharsis. However, this "good" plot would take a tremendous amount of time and effort, creating characters with personalities and backgrounds, constructing a coherent narrative, and expending a ton of time and effort. And don't forget that the plot itself might not appeal to everyone, while the humiliation of a weak-willed Sissy with her plumped-up lips, kneeling and horrified at the enormous man, is universally appreciated (by fans of the genre).
Melissa actually tried to develop a plot with "Aphrodite's Mirror," and due to her inexperience as a writer, she ended up with a story that audiences hated. And if we consider older stories, the rather dull "Need for Speed" was eventually completed, but "A Different Kind of Model," where they tried to develop a plot, has been stalled forever. DS1000 also had some complicated stories with robberies and scams, but ultimately settled on simple ones like "You have no choice â go get a manicure," focusing on its strengthsâdepicting inner experiences and emotions of shame and despair. Zenit2cai, on the other hand, simply makes a one-panel introduction, devoting the rest to sex.
But we must understand that all these plot intricacies, developed characters, and believable situations drain the author's energy, leading to burnout. As we can see, for example, in NovelChef, which strives for dialogue and character development, but ultimately publishes less and less frequently. So, if I try to implement my plotâhow many pages will it take? 80-100? To describe in lengthy dialogue the development of Dee's relationship with her brother, to describe Sarah's plan, to devise and implement this revenge, to write an epilogue. And it's also ideal to flavor this with racy sex scenes and increasing feminization. But I couldn't come up with the outline structure right off the bat, meaning I'd have had to think about it for days if I'd gotten around to it. And behind all this, the focus is lost: The reader goes to watch a boy get his first makeup done and fucked in the ass.
So the current state of trans porn isn't a degradation, but a naturally formed state, a state reached by the genre of moralizing horror novels. And other genres have undergone similar changes:
- Fantasy has gone from reconstructing myths and creating worlds to a bloody slasher with harem elements. (The same Martin, starting with A Song of Ice and Fire, tried to incorporate politics and historicism, but ended up with everyone just slaughtering, torturing, and fucking each other.)
- Science fiction has gone from being a dark prophecy about humanity's future challenges to gun porn with harem elements.
- Urban fantasy has gone from being a caustic allusion to society to its own genre of monster sex. (And really, who wants to follow the rivalry of vampire clans referencing 20th-century countercultural movements, when you can get fucked by a minotaur, a werewolf, and an octopus in a single book?)
So, basically, everything is going as usual. And everything has its reasons for appearing the way it is now, and not for appearing as someone imagined. We must perceive the world as it is.
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